Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
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Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
‘“Unity,” says he, as mild as he could, “here’s Milly coming. Now I
shall catch it mightily if she sees ’ee riding here with me; and if you
get down she’ll be turning the corner in a moment, and, seeing ’ee in
the road, she’ll know we’ve been coming on together. Now, dearest
Unity, will ye, to avoid all unpleasantness, which I know ye can’t bear
any more than I, will ye lie down in the back part of the waggon, and
let me cover you over with the tarpaulin till Milly has passed? It will
all be done in a minute. Do!—and I’ll think over what we’ve said; and
perhaps I shall put a loving question to you after all, instead of to
Milly. ’Tisn’t true that it is all settled between her and me.”
‘Well, Unity Sallet agreed, and lay down at the back end of the waggon,
and Tony covered her over, so that the waggon seemed to be empty but
for the loose tarpaulin; and then he drove on to meet Milly.
‘“My dear Tony!” cries Milly, looking up with a little pout at him as
he came near. “How long you’ve been coming home! Just as if I didn’t
live at Upper Longpuddle at all! And I’ve come to meet you as you asked
me to do, and to ride back with you, and talk over our future
home—since you asked me, and I promised. But I shouldn’t have come
else, Mr. Tony!”
‘“Ay, my dear, I did ask ye—to be sure I did, now I think of it—but I
had quite forgot it. To ride back with me, did you say, dear Milly?”
‘“Well, of course! What can I do else? Surely you don’t want me to
walk, now I’ve come all this way?”
‘“O no, no! I was thinking you might be going on to town to meet your
mother. I saw her there—and she looked as if she might be expecting
’ee.”
‘“O no; she’s just home. She came across the fields, and so got back
before you.”
‘“Ah! I didn’t know that,” says Tony. And there was no help for it but
to take her up beside him.
‘They talked on very pleasantly, and looked at the trees, and beasts,
and birds, and insects, and at the ploughmen at work in the fields,
till presently who should they see looking out of the upper window of a
house that stood beside the road they were following, but Hannah
Jolliver, another young beauty of the place at that time, and the very
first woman that Tony had fallen in love with—before Milly and before
Unity, in fact—the one that he had almost arranged to marry instead of
Milly. She was a much more dashing girl than Milly Richards, though
he’d not thought much of her of late. The house Hannah was looking from
was her aunt’s.
‘“My dear Milly—my coming wife, as I may call ’ee,” says Tony in his
modest way, and not so loud that Unity could overhear, “I see a young
woman alooking out of window, who I think may accost me. The fact is,
Milly, she had a notion that I was wishing to marry her, and since
she’s discovered I’ve promised another, and a prettier than she, I’m
rather afeard of her temper if she sees us together. Now, Milly, would
you do me a favour—my coming wife, as I may say?”
‘“Certainly, dearest Tony,” says she.
Public-domain text, read in full here on John Shaqi.
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