Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
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Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
‘“Then would ye creep under the empty sacks just here in the front of
the waggon, and hide there out of sight till we’ve passed the house?
She hasn’t seen us yet. You see, we ought to live in peace and
good-will since ’tis almost Christmas, and ’twill prevent angry
passions rising, which we always should do.”
‘“I don’t mind, to oblige you, Tony,” Milly said; and though she didn’t
care much about doing it, she crept under, and crouched down just
behind the seat, Unity being snug at the other end. So they drove on
till they got near the road-side cottage. Hannah had soon seen him
coming, and waited at the window, looking down upon him. She tossed her
head a little disdainful and smiled off-hand.
‘“Well, aren’t you going to be civil enough to ask me to ride home with
you!” she says, seeing that he was for driving past with a nod and a
smile.
‘“Ah, to be sure! What was I thinking of?” said Tony, in a flutter.
“But you seem as if you was staying at your aunt’s?”
‘“No, I am not,” she said. “Don’t you see I have my bonnet and jacket
on? I have only called to see her on my way home. How can you be so
stupid, Tony?”
‘“In that case—ah—of course you must come along wi’ me,” says Tony,
feeling a dim sort of sweat rising up inside his clothes. And he reined
in the horse, and waited till she’d come downstairs, and then helped
her up beside him. He drove on again, his face as long as a face that
was a round one by nature well could be.
‘Hannah looked round sideways into his eyes. “This is nice, isn’t it,
Tony?” she says. “I like riding with you.”
‘Tony looked back into her eyes. “And I with you,” he said after a
while. In short, having considered her, he warmed up, and the more he
looked at her the more he liked her, till he couldn’t for the life of
him think why he had ever said a word about marriage to Milly or Unity
while Hannah Jolliver was in question. So they sat a little closer and
closer, their feet upon the foot-board and their shoulders touching,
and Tony thought over and over again how handsome Hannah was. He spoke
tenderer and tenderer, and called her “dear Hannah” in a whisper at
last.
‘“You’ve settled it with Milly by this time, I suppose,” said she.
‘“N-no, not exactly.”
‘“What? How low you talk, Tony.”
‘“Yes—I’ve a kind of hoarseness. I said, not exactly.”
‘“I suppose you mean to?”
‘“Well, as to that—” His eyes rested on her face, and hers on his. He
wondered how he could have been such a fool as not to follow up Hannah.
“My sweet Hannah!” he bursts out, taking her hand, not being really
able to help it, and forgetting Milly and Unity, and all the world
besides. “Settled it? I don’t think I have!”
‘“Hark!” says Hannah.
‘“What?” says Tony, letting go her hand.
‘“Surely I heard a sort of little screaming squeak under those sacks?
Why, you’ve been carrying corn, and there’s mice in this waggon, I
declare!” She began to haul up the tails of her gown.
Public-domain text, read in full here on John Shaqi.
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