Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
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Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
At last, more disappointed than he cared to own, he said, ‘Mrs.
Harnham, my darling is so flurried that she doesn’t know what she is
doing or saying. I see that after this event a little quietude will be
necessary before she gives tongue to that tender philosophy which she
used to treat me to in her letters.’
They had planned to start early that afternoon for Knollsea, to spend
the few opening days of their married life there, and as the hour for
departure was drawing near Raye asked his wife if she would go to the
writing-desk in the next room and scribble a little note to his sister,
who had been unable to attend through indisposition, informing her that
the ceremony was over, thanking her for her little present, and hoping
to know her well now that she was the writer’s sister as well as
Charles’s.
‘Say it in the pretty poetical way you know so well how to adopt,’ he
added, ‘for I want you particularly to win her, and both of you to be
dear friends.’
Anna looked uneasy, but departed to her task, Raye remaining to talk to
their guest. Anna was a long while absent, and her husband suddenly
rose and went to her.
He found her still bending over the writing-table, with tears brimming
up in her eyes; and he looked down upon the sheet of note-paper with
some interest, to discover with what tact she had expressed her
good-will in the delicate circumstances. To his surprise she had
progressed but a few lines, in the characters and spelling of a child
of eight, and with the ideas of a goose.
‘Anna,’ he said, staring; ‘what’s this?’
‘It only means—that I can’t do it any better!’ she answered, through
her tears.
‘Eh? Nonsense!’
‘I can’t!’ she insisted, with miserable, sobbing hardihood. ‘I—I—didn’t
write those letters, Charles! I only told _her_ what to write! And not
always that! But I am learning, O so fast, my dear, dear husband! And
you’ll forgive me, won’t you, for not telling you before?’ She slid to
her knees, abjectly clasped his waist and laid her face against him.
He stood a few moments, raised her, abruptly turned, and shut the door
upon her, rejoining Edith in the drawing-room. She saw that something
untoward had been discovered, and their eyes remained fixed on each
other.
‘Do I guess rightly?’ he asked, with wan quietude. ‘_You_ were her
scribe through all this?’
‘It was necessary,’ said Edith.
‘Did she dictate every word you ever wrote to me?’
‘Not every word.’
‘In fact, very little?’
‘Very little.’
‘You wrote a great part of those pages every week from your own
conceptions, though in her name!’
‘Yes.’
‘Perhaps you wrote many of the letters when you were alone, without
communication with her?’
‘I did.’
He turned to the bookcase, and leant with his hand over his face; and
Edith, seeing his distress, became white as a sheet.
‘You have deceived me—ruined me!’ he murmured.
‘O, don’t say it!’ she cried in her anguish, jumping up and putting her
hand on his shoulder. ‘I can’t bear that!’
Public-domain text, read in full here on John Shaqi.
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