Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
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Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
‘Delighting me deceptively! Why did you do it—_why_ did you!’
‘I began doing it in kindness to her! How could I do otherwise than try
to save such a simple girl from misery? But I admit that I continued it
for pleasure to myself.’
Raye looked up. ‘Why did it give you pleasure?’ he asked.
‘I must not tell,’ said she.
He continued to regard her, and saw that her lips suddenly began to
quiver under his scrutiny, and her eyes to fill and droop. She started
aside, and said that she must go to the station to catch the return
train: could a cab be called immediately?
But Raye went up to her, and took her unresisting hand. ‘Well, to think
of such a thing as this!’ he said. ‘Why, you and I are
friends—lovers—devoted lovers—by correspondence!’
‘Yes; I suppose.’
‘More.’
‘More?’
‘Plainly more. It is no use blinking that. Legally I have married
her—God help us both!—in soul and spirit I have married you, and no
other woman in the world!’
‘Hush!’
‘But I will not hush! Why should you try to disguise the full truth,
when you have already owned half of it? Yes, it is between you and me
that the bond is—not between me and her! Now I’ll say no more. But, O
my cruel one, I think I have one claim upon you!’
She did not say what, and he drew her towards him, and bent over her.
‘If it was all pure invention in those letters,’ he said emphatically,
‘give me your cheek only. If you meant what you said, let it be lips.
It is for the first and last time, remember!’
She put up her mouth, and he kissed her long. ‘You forgive me?’ she
said crying.
‘Yes.’
‘But you are ruined!’
‘What matter!’ he said shrugging his shoulders. ‘It serves me right!’
She withdrew, wiped her eyes, entered and bade good-bye to Anna, who
had not expected her to go so soon, and was still wrestling with the
letter. Raye followed Edith downstairs, and in three minutes she was in
a hansom driving to the Waterloo station.
He went back to his wife. ‘Never mind the letter, Anna, to-day,’ he
said gently. ‘Put on your things. We, too, must be off shortly.’
The simple girl, upheld by the sense that she was indeed married,
showed her delight at finding that he was as kind as ever after the
disclosure. She did not know that before his eyes he beheld as it were
a galley, in which he, the fastidious urban, was chained to work for
the remainder of his life, with her, the unlettered peasant, chained to
his side.
Edith travelled back to Melchester that day with a face that showed the
very stupor of grief; her lips still tingling from the desperate
pressure of his kiss. The end of her impassioned dream had come. When
at dusk she reached the Melchester station her husband was there to
meet her, but in his perfunctoriness and her preoccupation they did not
see each other, and she went out of the station alone.
Public-domain text, read in full here on John Shaqi.
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