Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.Fuller, Margaret
History
Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.
Fuller, Margaret
Essays; Literature -- History and criticism; Poetry
After this period we find in him rather a wide and deep Wisdom, than the
inspiration of Genius. His faith, that all _must_ issue well, wants the
sweetness of piety, and the God he manifests to us is one of law or
necessity, rather than of intelligent love. As this God makes because he
must, so Goethe, his instrument, observes and re-creates because he
must, observing with minutest fidelity the outward exposition of Nature;
never blinded by a sham, or detained by a fear, he yet makes us feel
that he wants insight to her sacred secret. The calmest of writers does
not give us repose, because it is too difficult to find his centre.
Those flame-like natures, which he undervalues, give us more peace and
hope, through their restless aspirations, than he with his
hearth-enclosed fires of steady fulfilment. For, true as it is, that God
is every where, we must not only see him, but see him acknowledged.
Through the consciousness of man, "shall not Nature interpret God?" We
wander in diversity, and with each new turning of the path, long anew to
be referred to the One.
Of Goethe, as of other natures, where the intellect is too much
developed in proportion to the moral nature, it is difficult to speak
without seeming narrow, blind, and impertinent. For such men _see_ all
that others _live_, and, if you feel a want of a faculty in them, it is
hard to say they have it not, lest, next moment, they puzzle you by
giving some indication of it. Yet they are not, nay, _know_ not; they
only discern. The difference is that between sight and life, prescience
and being, wisdom and love. Thus with Goethe. Naturally of a deep mind
and shallow heart, he felt the sway of the affections enough to
appreciate their workings in other men, but never enough to receive
their inmost regenerating influence.
How this might have been had he ever once abandoned himself entirely to
a sentiment, it is impossible to say. But the education of his youth
seconded, rather than balanced, his natural tendency. His father was a
gentlemanly martinet; dull, sour, well-informed, and of great ambition
as to externals. His influence on the son was wholly artificial. He was
always turning his powerful mind from side to side in search of
information, for the attainment of what are called accomplishments. The
mother was a delightful person in her way; open, genial, playful, full
of lively talent, but without earnestness of soul. She was one of those
charming, but not noble persons, who take the day and the man as they
find them, seeing the best that is there already, but never making the
better grow in its stead. His sister, though of graver kind, was social
and intellectual, not religious or tender. The mortifying repulse of his
early love checked the few pale buds of faith and tenderness that his
heart put forth. His friends were friends of the intellect merely;
altogether, he seemed led by destiny to the place he was to fill.
Public-domain text, read in full here on John Shaqi.
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