Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.Fuller, Margaret
History
Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.
Fuller, Margaret
Essays; Literature -- History and criticism; Poetry
But nothing can better show the difference of result between a stern and
earnest life, and one of partial accommodation, than a comparison
between the Paridiso and that of the second part of Faust. In both a
soul, gradually educated and led back to God, is received at last not
through merit, but grace. But O the difference between the grandly
humble reliance of old Catholicism, and the loophole redemption of
modern sagacity! Dante was a _man_, of vehement passions, many
prejudices, bitter as much as sweet. His knowledge was scanty, his
sphere of observation narrow, the objects of his active life petty,
compared with those of Goethe. But, constantly retiring to his deepest
self, clearsighted to the limitations of man, but no less so to the
illimitable energy of the soul, the sharpest details in his work convey
a largest sense, as his strongest and steadiest flights only direct the
eye to heavens yet beyond.
Yet perhaps he had not so hard a battle to wage, as this other great
poet. The fiercest passions are not so dangerous foes to the soul as the
cold scepticism of the understanding. The Jewish demon assailed the man
of Uz with physical ills, the Lucifer of the middle ages tempted his
passions; but the Mephistopheles of the eighteenth century bade the
finite strive to compass the infinite, and the intellect attempt to
solve all the problems of the soul.
This path Faust had taken: it is that of modern necromancy. Not willing
to grow into God by the steady worship of a life, men would enforce his
presence by a spell; not willing to learn his existence by the slow
processes of their own, they strive to bind it in a word, that they may
wear it about the neck as a talisman.
Faust, bent upon reaching the centre of the universe through the
intellect alone, naturally, after a length of trial, which has prevented
the harmonious unfolding of his nature, falls into despair. He has
striven for one object, and that object eludes him. Returning upon
himself, he finds large tracts of his nature lying waste and cheerless.
He is too noble for apathy, too wise for vulgar content with the animal
enjoyments of life. Yet the thirst he has been so many years increasing
is not to be borne. Give me, he cries, but a drop of water to cool my
burning tongue. Yet, in casting himself with a wild recklessness upon
the impulses of his nature yet untried, there is a disbelief that any
thing short of the All can satisfy the immortal spirit. His first
attempt was noble, though mistaken, and under the saving influence of
it, he makes the compact, whose condition cheats the fiend at last.
Kannst du mich schmeichelnd je beluegen
Dass ich mir selbst gefallen mag,
Kannst du mich mit Genuss betruegen:
Das sey fuer mich der letzte Tag.
Werd ich zum Augenblicke sagen:
Verweile doch! du bist so schoen!
Dann magst du mich in Fesseln schlagen,
Dann will ich gern zu Grunde gehen.
Public-domain text, read in full here on John Shaqi.
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