Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems. — John Shaqi
Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.Fuller, Margaret
History
Life Without and Life Within; or, Reviews, Narratives, Essays, and Poems.
Fuller, Margaret
Essays; Literature -- History and criticism; Poetry
Here is the glorious privilege of a form known only in the world of
genius. There is on it no stain of usage or calculation to dull our
sense of its immeasurable life. What in our daily walk, mid common faces
and common places, fleets across us at moments from glances of the eye,
or tones of the voice, is felt from the whole being of one of these
children of genius.
This precious gem is set in a ring complete in its enamel. I cannot hope
to express my sense of the beauty of this book as a work of art. I
would not attempt it if I had elsewhere met any testimony to the same.
The perfect picture, always before the mind, of the chateau, the moss
hut, the park, the garden, the lake, with its boat and the landing
beneath the platan trees; the gradual manner in which both localities
and persons grow upon us, more living than life, inasmuch as we are,
unconsciously, kept at our best temperature by the atmosphere of genius,
and thereby more delicate in our perceptions than amid our customary
fogs; the gentle unfolding of the central thought, as a flower in the
morning sun; then the conclusion, rising like a cloud, first soft and
white, but darkening as it comes, till with a sudden wind it bursts
above our heads; the ease with which we every where find points of view
all different, yet all bearing on the same circle, for, though we feel
every hour new worlds, still before our eye lie the same objects, new,
yet the same, unchangeable, yet always changing their aspects as we
proceed, till at last we find we ourselves have traversed the circle,
and know all we overlooked at first,--these things are worthy of our
highest admiration.
For myself, I never felt so completely that very thing which genius
should always make us feel--that I was in its circle, and could not get
out till its spell was done, and its last spirit permitted to depart. I
was not carried away, instructed, delighted more than by other works,
but I was _there_, living there, whether as the platan tree, or the
architect, or any other observing part of the scene. The personages live
too intensely to let us live in them; they draw around themselves
circles within the circle; we can only see them close, not be
themselves.
Others, it would seem, on closing the book, exclaim, "What an immoral
book!" I well remember my own thought, "It is a work of art!" At last I
understood that world within a world, that ripest fruit of human nature,
which is called art. With each perusal of the book my surprise and
delight at this wonderful fulfilment of design grew. I understood why
Goethe was well content to be called Artist, and his works, works of
Art, rather than revelations. At this moment, remembering what I then
felt, I am inclined to class all my negations just written on this paper
as stuff, and to look upon myself, for thinking them, with as much
contempt as Mr. Carlyle, or Mrs. Austin, or Mrs. Jameson might do, to
say nothing of the German Goetheans.
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