French fiction -- 20th century; World War, 1914-1918 -- Fiction
Death is not yet dead everywhere. Some points and surfaces still
resist and budge and cry out, doubtless because it is dawn; and once
the wind swept away a muffled bugle-call. There are some who still
burn with the invisible fire of fever, in spite of the frozen periods
they have crossed. But the cold is working into them. The immobility
of lifeless things is passing into them, and the wind empties itself as
it goes by.
Voices are worn away; looks are soldered to their eyes. Wounds are
staunched; they have finished. Only the earth and the stones bleed.
And just then I saw, under the trickling morning, some half-open but
still tepid dead that steamed, as if they were the blackening
rubbish-heap of a village. I watch that hovering dead breath of the
dead. The crows are eddying round the naked flesh with their flapping
banners and their war-cries. I see one which has found some shining
rubies on the black vein-stone of a foot; and one which noisily draws
near to a mouth, as if called by it. Sometimes a dead man makes a
movement, so that he will fall lower down. But they will have no more
burial than if they were the last men of all.
* * * * * *
There is one upright presence which I catch a glimpse of, so near, so
near; and I want to see it. In making the effort with my elbow on the
horse's ballooned body I succeed in altering the direction of my head,
and of the corridor of my gaze. Then all at once I discover a quite
new population of bronze men in rotten clothes; and especially, erect
on bended knees, a gray overcoat, lacquered with blood and pierced by a
great hole, round which is collected a bunch of heavy crimson flowers.
Slowly I lift the burden of my eyes to explore that hole. Amid the
shattered flesh, with its changing colors and a smell so strong that it
puts a loathsome taste in my mouth, at the bottom of the cage where
some crossed bones are black and rusted as iron bars, I can see
something, something isolated, dark and round. I see that it is a
heart.
Placed there, too--I do not know how, for I cannot see the body's full
height--the arm, and the hand. The hand has only three fingers--a
fork---- Ah, I recognize that heart! It is his whom I killed.
Prostrate in the mud before him, because of my defeat and my
resemblance, I cried out to the man's profundity, to the superhuman
man. Then my eyes fell; and I saw worms moving on the edges of that
infinite wound. I was quite close to their stirring. They are whitish
worms, and their tails are pointed like stings; they curve and flatten
out, sometimes in the shape of an "i," and sometimes of a "u." The
perfection of immobility is left behind. The human material is
crumbled into the earth for another end.
Public-domain text, read in full here on John Shaqi.
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