French fiction -- 20th century; World War, 1914-1918 -- Fiction
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The church bell rang, and we left him there. When I was leaving I
heard Brisbille growl. No doubt I got my quietus as well. But what
can he have imagined against _me_?
We meet again, all mixed together in the Place de l'Eglise. In our
part of the town, except for a clan of workers whom one keeps one's eye
on, every one goes to church, men as well as women, as a matter of
propriety, out of gratitude to employers or lords of the manor, or by
religious conviction. Two streets open into the Place and two roads,
bordered with apple-trees, as well, so that these four ways lead town
and country to the Place.
It has the shape of a heart, and is delightful. It is shaded by a very
old tree, under which justice was formerly administered. That is why
they call it the Great Tree, although there are greater ones. In
winter it is dark, like a perforated umbrella. In summer it gives the
bright green shadow of a parasol. Beside the tree a tall crucifix
dwells in the Place forever.
The Place is swarming and undulating. Peasants from the surrounding
country, in their plain cotton caps, are waiting in the old corner of
the Rue Neuve, heaped together like eggs. These people are loaded with
provisions. At the farther end, square-paved, one picks out swarthy
outlines of the Epinal type, and faces as brightly colored as apples.
Groups of children flutter and chirrup; little girls with their dolls
play at being mothers, and little boys play at brigands. Respectable
people take their stand more ceremoniously than the common crowd, and
talk business piously.
Farther away is the road, which April's illumination adorns all along
the lines of trees with embroidery of shadow and of gold, where
bicycles tinkle and carriages rumble echoingly; and the shining
river,--those long-drawn sheets of water, whereon the sun spreads
sheets of light and scatters blinding points. Looking along the road,
on either side of its stone-hard surface, one sees the pleasant,
cultivated earth, the bits of land sewn to each other, and many-hued,
brown or green as the billiard cloth, then paling in the distance.
Here and there, on this map in colors, copses bulge forth. The
by-roads are pricked out with trees, which follow each other artlessly
and divide the infantile littleness of orchards.
This landscape holds us by the soul. It is a watercolor now (for it
rained a little last night), with its washed stones, its tiles
varnished anew, its roofs that are half slate and half light, its
shining pavements, water-jeweled in places, its delicately blue sky,
with clouds like silky paper; and between two house-fronts of yellow
ocher and tan, against the purple velvet of distant forests, there is
the neighboring steeple, which is like ours and yet different. Roundly
one's gaze embraces all the panorama, which is delightful as the
rainbow.
Public-domain text, read in full here on John Shaqi.
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