French fiction -- 20th century; World War, 1914-1918 -- Fiction
There are taverns anon which catch the eye. Their doors are closed,
but their windows and fanlights shine like gold. Between the taverns
rise the fronts of some old houses, tenantless and hollow; others, in
ruins, cut into this gloomy valley of the homes of men with notches of
sky. The iron-shod feet all around me on the hard road sound like the
heavy rolling of drums, and then on the paved footpath like dragged
chains. It is in vain that I walk with head bent--my own footsteps are
lost in the rest, and I cannot hear them.
We hurry, as we do every evening. At that spot in the inky landscape
where a tall and twisted tree seems to writhe as if it had a soul, we
begin suddenly to descend, our feet plunging forward. Down below we
see the lights of Viviers sparkle. These men, whose day is worn out,
stride towards those earthly stars. One hope is like another in the
evening, as one weariness is like another; we are all alike. I, also.
I go towards my light, like all the others, as on every evening.
* * * * * *
When we have descended for a long time the gradient ends, the avenue
flattens out like a river, and widens as it pierces the town. Through
the latticed boughs of the old plane trees--still naked on this last
day of March--one glimpses the workmen's houses, upright in space, hazy
and fantastic chessboards, with squares of light dabbed on in places,
or like vertical cliffs in which our swarming is absorbed. Scattering
among the twilight colonnade of the trees, these people engulf
themselves in the heaped-up lodgings and rooms; they flow together in
the cavity of doors; they plunge into the houses; and there they are
vaguely turned into lights.
I continue to walk, surrounded by several companions who are foremen
and clerks, for I do not associate with the workmen. Then there are
handshakes, and I go on alone.
Some dimly seen wayfarers disappear; the sounds of sliding locks and
closing shutters are heard here and there; the houses have shut
themselves up, the night-bound town becomes a desert profound. I can
hear nothing now but my own footfall.
Viviers is divided into two parts--like many towns, no doubt. First,
the rich town, composed of the main street, where you find the Grand
Café, the elegant hotels, the sculptured houses, the church and the
castle on the hill-top. The other is the lower town, which I am now
entering. It is a system of streets reached by an extension of that
avenue which is flanked by the workmen's barracks and climbs to the
level of the factory. Such is the way which it has been my custom to
climb in the morning and to descend when the light is done, during the
six years of my clerkship with Messrs. Gozlan & Co. In this quarter I
am still rooted. Some day I should like to live yonder; but between
the two halves of the town there is a division--a sort of frontier,
which has always been and will always be.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account