Light and Colour Theories, and their relation to light and colour standardizationLovibond, Joseph W. (Joseph Williams)
Science
Light and Colour Theories, and their relation to light and colour standardization
Lovibond, Joseph W. (Joseph Williams)
Color; Light
Charts 3, 4 and 5 deal with experiments, with one, two and three
standard candles of the London Gas Referees. The curves represent
the physiological rate of declining luminosities by distance. Some
characteristic differences from other lights are brought together in
Charts 4 and 5. The slight irregularities in the curves are probably
due to the readings being made at half unit intervals. These acting
sometimes in opposite directions, fully account for want of symmetry in
the curves.
A noticeable feature in these experiments is the small amount of
physiological luminosity added by each successive candle to the
first. Theoretically, if one candle equals 21 units intensity, two
should equal 42, and three 63, whereas the physiological additions of
luminosity are not only much less, but vary with different luminous
intensities, as will be seen by the following comparisons:--
1 2 3
Candle Candles Candles Total.
Theoretical 21 + 21 + 21 = 63
Physiological 21 + 3 + 6 = 30
Chart 4 represents the Luminosity of gas from a batswing burner
reduced to one, two and three candle power at one foot distance.
1 2 3
Candle Candles Candles Total.
Theoretical 21 + 21 + 21 = 63
Physiological 21 + 3 + 7 = 31
Chart 5 represents the Luminosity of a hand Paraffin Lamp similarly
reduced.
1 2 3
Candle Candles Candles Total.
Theoretical 21 + 21 + 21 = 63
Physiological 21 + 3 + 6 = 30
PHOTOGRAPHIC ENERGIES OF DIFFERENT RAYS
The following experiments are preliminary only, and were undertaken to
determine the relationship of the several colours of the tintometrical
scales, to their associated photographic values, under different
conditions of light and times of exposure, the end in view being the
hope of standardizing screens, papers and impressions.
The standardized colours act as selective light absorbents on the same
principle as screens for trichromatic colour work, but differ from
these in their having a definite standard of colour depth and colour
purity.
Work of this character requires paper of a known degree of
sensitiveness, but on inquiry it was found that no reliable standard
had as yet been established. On this, six makes of “white” paper were
purchased in the open market and submitted to exposures under the
following conditions:--
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