Lighted to Lighten: the Hope of India: A Study of Conditions among Women in IndiaVan Doren, Alice B. (Alice Boucher)
History
Lighted to Lighten: the Hope of India: A Study of Conditions among Women in India
Van Doren, Alice B. (Alice Boucher)
India -- Social conditions; Women -- India
Perhaps much of the success which the College at Madras has achieved on
the side of unity is due to the fact that her members are too busy to
think or talk about it because their time is all filled up with actually
doing things together. Expressing this spirit of active co-operation is
the college motto, "Lighted to lighten"; the emblem in the shield is a
tiny lamp such as may burn in the poorest homes in India. Below the lamp
is a sunflower, whose meaning has been discussed in the college magazine
by a new student. She says, "To-day the sunflower stands for very much
in my mind. It is symbolic of this our College, for, as our amateur
botanists tell us, the sunflower is not a flower, but a congregation of
them. The tiny buds in the centre are our budding intellects. To-day
they are in the making; to-morrow they will bloom like their sisters who
surround them. Nourished from the same source, their fruit will be even
likewise.
"Around these are the golden rays--each a tongue of fire to protect and
inspire. There is none high or low amongst them, being all alike, and
these are our tutors, and the sunflower itself turns to the sun, the
great giver of life, for its inspiration, ever turning to him, never
losing sight of his face. A force inexplicable draws the flower to the
King of Day, even as our hearts are turned to Him at morn and at eve, be
we East or West."
In a Garden.
It is fitting that the sunflower should bloom in a garden, and so it
does. This time it is not a walled garden like that of Lal Bagh; the
Women's College is situated out from the city in a green and spacious
suburb, where the little River Cooum wanders by its open spaces. The ten
acres have much the air of an American college campus,--the same sense
of academic quiet, of detachment from the work-a-day world. The whole
compound is dominated by the tall, white columns of the old main
building, which confer an air of distinction upon the whole place, as
well they may, for have they not guarded successively government
officials and Indian rajahs?
Nearby is the new residence hall, as modern as the other is historic.
Three stories in height, its verandahs are in the form of a hollow
square, and look out upon a courtyard gay with the bright-hued foliage
of crotons and other tropical plants. Beyond is the garden itself,
filled not with the roses and chrysanthemums of winter Lucknow, but with
the perpetual summer foliage of spreading rain trees, palms, and long
fronded ferns, with fluffy maidenhair between. In their season the
purple masses of Bougainvillea, and the crimson of the Flamboya tree set
the garden afire. In the evening when the girls are sitting under the
trees or walking down the long vistas with the level sunbeams bringing
out the bright colors of their draped _saris_, it brings to mind nothing
so much as a scene from "The Princess" where among fair English gardens
"One walked reciting by herself, and one
In this hand held a volume as to read."
Public-domain text, read in full here on John Shaqi.
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