Lighthouses and Lightships: A Descriptive and Historical Account of Their Mode of Construction and OrganizationAdams, W. H. Davenport (William Henry Davenport)
History
Lighthouses and Lightships: A Descriptive and Historical Account of Their Mode of Construction and Organization
Adams, W. H. Davenport (William Henry Davenport)
Lighthouses; Lightships
Pompey’s Pillar—as, in defiance of history, men still continue to call
it—stands to-day in a wild and dreary waste—widely different from the
scene that surrounded it when, of old, the Nile swarmed with gilded
barges, and the waters of the Mediterranean were ploughed by countless
argosies, and the flickering glare of the pharos was the guiding star
of the commerce of the world. You reach it, as Miss Martineau tells
us, through the dreariest of cemeteries, where all is of one dust
colour, even to the aloe which is fixed upon every grave. From the
base, the view is curious to novices. Groups of Arabs are at work in
the crumbling, whitish, hot soil, with files of soldiers keeping watch
over them. To the south-east you obtain a fine view of Lake Mareotis,
whose slender line of shore seems liable to be broken through by the
first ripple of its waters. The space between it and the sea is one
expanse of desolation. A strip of vegetation—some marsh, some field,
and some grove—looks well near the lake; and so do a little settlement
on the canal, and a lateen sail gliding among the trees.
* * * * *
As commerce increased, and flowed into fresh channels, men very
naturally multiplied on every coast the landmarks which played the
same useful part by day as did the pharoses by night. If we may
believe Coulier, we owe to the Etruscans the invention of that system
of beacons which, neglected for many centuries, has been resuscitated
of late years, and developed according to fixed principles. Where
natural landmarks are non-existent, we now-a-days rear small but
durable constructions of timber or masonry, at suitable points of the
shore, painting them of a brown colour if they stand defined against
the sky, as on the summit of a lofty hill, or of a white colour, if
they are projected on the land. When it is desirable to indicate the
position of a submarine reef, on whose hidden point a good many ships
might otherwise go down, a _buoy_ is placed there—that is, a floating
frame-work of iron or wood, with or without a bell, and painted of
various colours. Some of these buoys, as in the channel of a river
or the water-way of a harbour, are hollow cones of iron, kept in
their positions by stout cables and a heavy anchor. Others, of larger
dimensions, resemble a kind of cage; not a few are built up of masonry,
where the water is shallow, like small turrets; and these are
provided with chains and ladders for the convenience of shipwrecked
seamen. The floating buoys are generally furnished with great bells,
which are swung to and fro with a solemn and overpowering peal, by the
oscillations of the waves. “Beware! beware!” they seem to cry; but,
alas! their warning sounds are often heard too late, and the “tall
ship,” swept onward by the demon of the storm, frequently clashes
against the very buoy that gave warning of the danger.
[Illustration: A FLOATING BEACON OR BUOY.]
Public-domain text, read in full here on John Shaqi.
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