Lighthouses and Lightships: A Descriptive and Historical Account of Their Mode of Construction and OrganizationAdams, W. H. Davenport (William Henry Davenport)
History
Lighthouses and Lightships: A Descriptive and Historical Account of Their Mode of Construction and Organization
Adams, W. H. Davenport (William Henry Davenport)
Lighthouses; Lightships
The walls of this saloon are decorated with portraits of George IV.,
William IV., and their queens, for royalty itself is no stranger to the
annals of the Trinity House, and monarchs honour themselves by figuring
among the insignia of the fraternity of which they have been the
members and the patrons. The Duke of Wellington’s portrait, by Lucas,
is considered the best in existence of the Conqueror of Waterloo. The
busts of the Queen and the late Prince Consort, in white marble, by
Noble—one of the few living sculptors who have attained to celebrity
in England—rest solemnly at the two corners of the mantelpiece.
Twenty arm-chairs ranged round a large table shaped like a crescent,
and covered with a green cloth, mark the places of the members of
the Council at their various meetings. The associates of the Trinity
House think, with Ben Jonson, that good repasts encourage brotherly
feeling. The dining-room, lighted by a kind of circular lantern which
surmounts the ceiling, displays what may very justly be called a quiet
and substantial luxury. Here we may remark the bust of William Pitt, by
Chantrey; portraits of the Earl of Sandwich, the Duke of Bedford, Sir
Francis Drake, and, especially, that of Sir Kenelm Digby, by Vandyke.
At regular intervals, some excellent models of lighthouses in relief,
preserved under glass, remind the visitor of the all-important object
of this ancient Corporation.
* * * * *
The French Lighthouses Commission is not so splendidly lodged as the
Trinity Board, nor is its Museum equal to the one at Edinburgh.[15]
But, side by side with models of modern lighthouses, are models of the
most ancient, from the ungainly tower whose summit was lit up with a
rude fire of sea-coal, to the elegant edifice of the Héaux de Bréhat.
It also contains numerous examples of all the catoptric or dioptric
apparatus which are, or have been, in use, as well as specimens of
clocks, buoys, and beacons. The Lighthouse Museum is, finally, the
central depôt where experiments are conducted in reference to all the
elements of maritime lightage, under the supreme direction of M. Emile
Allard, the engineer-in-chief.
[15] We refer to the Exhibition of Lighthouse Models in the Industrial
Museum.
[Illustration]
[Illustration]
CHAPTER II.
GEOGRAPHICAL DISTRIBUTION OF LIGHTHOUSES.
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