Lightning Conductors: Their History, Nature, and Mode of ApplicationAnderson, Richard, F.C.S.
History
Lightning Conductors: Their History, Nature, and Mode of Application
Anderson, Richard, F.C.S.
Lightning conductors
Fig. 26 shows a plain and simple design for protecting an ordinary
church. The conductor in the case of churches and all other high or
extensive buildings ought invariably to be made of copper rope, other
metals of less conductivity, such as iron, being inadmissible, since
their employment would necessitate the use of ponderous masses of
metal, which would be not only unsightly, but extremely heavy, and
difficult to manipulate successfully. In the accompanying engraving
(fig. 27) lent by the Society for Promoting Christian Knowledge, is
shown a somewhat more complex structure and the method of arranging
the conductors thereon. In this case there is a conductor attached to
each spire, leading to and connected with the metal-work of the roof
and gutters. On the gable _c_, and the transept gables _d e_, there
are fixed three conductors which unite in the centre of the roof, from
which they are carried down to the gutters. The same arrangement is
followed for the smaller gables _f g h_. The water-pipes and gutters
being connected with the conductors, these latter are carried down the
side to the earth. It need scarcely be explained how important it is
that all metal ornaments on the ridges of churches, as well as other
buildings, should either be connected with the general conductors or,
in the case of extensive buildings, with a conductor that is carried
straight to the earth, as shown in fig. 28. In the case of the finials
so often found on Gothic structures, it is necessary to splice the
conductor round the bottom of the finial, as shown in fig. 29. If,
instead of placing terra-cotta tiles along the ridges, a cresting of
fancy iron-work is fixed there, the expense of running a conductor
along the ridges will be saved.
[Illustration: Fig. 29.]
[Illustration: Fig. 30.]
The various methods of fixing weathercocks on to the terminal rod are
fully explained in another chapter. Fig. 30 shows the best arrangement
for connecting the conductor to the terminal rod on a church spire. The
copper rope which forms the conductor is spliced round the terminal
rod at the bottom of the finial, and as an additional security round
the base of the vane rod, which in this instance also serves as the
terminal rod of the lightning conductor.
Public-domain text, read in full here on John Shaqi.
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