Lights and Shadows of New York Life: or, the Sights and Sensations of the Great CityMcCabe, James Dabney
History
Lights and Shadows of New York Life: or, the Sights and Sensations of the Great City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social life and customs -- 19th century
"The visitor going up the broad stairs, finds himself in a large room,
which is plainly the main office of the concern. There is a desk with
the authoritative hedge of an iron railing, behind which sits a furrowed
man, who looks an animated cork-screw, and who, the inquiring visitor
soon discovers, can't speak above a whisper, or at least don't. This
mysterious person is always mistaken for the chief of the establishment,
but, in fact, he is nothing but the 'Secretary,' and holds his place by
reason of a marvellous capacity for drawing people out of themselves. A
mystery, he is surrounded with mysteries. The doors upon his right and
left--one of which is occasionally opened just far enough to permit a
very diminutive call-boy to be squeezed through--seem to lead to
unexplored regions. But stranger than even the clerk, or the undefined
but yet perfectly tangible weirdness of the doors is the tinkling of a
sepulchral bell, and the responsive tramp of a heavy-heeled boot. And
strangest of all is a huge black board whereon are marked the figures
from one to twenty, over some of which the word 'Out' is written; and the
visitor notices with ever-increasing wonder that the tinkling of the bell
and the heavy-heeled tramp are usually followed by the mysterious
secretary's scrawling 'Out' over another number, being apparently incited
thereto by a whisper of the ghostly call-boy who is squeezed through a
crack in the door for that purpose. The door which the call-boy abjures
is always slightly ajar, and at the aperture there is generally a wolfish
eye glaring so steadily and rapaciously into the office as to raise a
suspicion that beasts of prey are crouching behind that forbidding door.
Public-domain text, read in full here on John Shaqi.
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