Lights and Shadows of New York Life: or, the Sights and Sensations of the Great CityMcCabe, James Dabney
History
Lights and Shadows of New York Life: or, the Sights and Sensations of the Great City
McCabe, James Dabney
New York (N.Y.) -- Description and travel; New York (N.Y.) -- Social life and customs -- 19th century
"Nor is the resulting alarm entirely groundless, for that is the room
where the ferrets of the house who assume the name of Detectives, but are
more significantly called 'shadows,' are hidden from the prying eyes of
the world. A 'shadow' here is a mere numeral--No. 1, or something
higher--and obeys cabalistic calls conveyed by bells or speaking-tubes,
by which devices the stranger patron is convinced of the potency of the
Detective Agency which moves in such mysterious ways to perform its
wonders. If any doubt were left by all this paraphernalia of marvel, it
would be dispelled from the average mind when it came in contact with the
chief conjuror, who is seated in the dim seclusion of a retired room,
fortified by bell-pulls, speaking-tubes, and an owlish expression
intended to be considered as the mirror of taciturn wisdom. From his
retreat he moves the outside puppets of secretary, shadows, and
call-boys, as the requirements of his patrons, who are admitted singly to
his presence, may demand. It is he whose hoarse whispers sound
sepulchrally through the tubes, who rings the mysterious bell, and by
such complex means despatches his 'shadows' upon their errands. It is he
who permits the mildewed men in the other ante-room to be known only by
numbers, and who guards them so carefully from the general view.
"By these assumptions of mystery the chief awes the patrons of his
peculiar calling, of whom there are pretty sure to be several in waiting
during the morning hours. These applicants for detective assistance
always sit stolidly silent until their separate summons comes to join the
chief, eyeing each other suspiciously and surveying their surroundings
with unconcealed and fitting awe. One is of bluff and hearty appearance,
but his full face is overcast for the moment with an expression half sad,
half whimsical; it is plain that a conjunction of untoward circumstances
has raised doubts in his mind of the integrity of a business associate,
and he has reluctantly determined to clear or confirm them by means of a
'shadow.' Next to him is a fidgety furrowed man, bristling with
suspicion in every line of his face, and showing by his air of
indifference to his surroundings that he is a frequenter of the place.
He is in fact one of the best customers of the establishment, as he is
constantly invoking its aid in the petty concerns of his corroded life.
Sometimes it is a wife, daughter, sister, niece, or a mere female
acquaintance he wishes watched; sometimes it is a business partner or a
rival in trade he desires dogged; and he is never so miserable as when
the reports of the agency show his suspicions, whatever they may have
been, to be groundless. It is but just, however, to the sagacity of the
detectives to remark that he is seldom subjected to such disappointment.
Whatever other foolishness they may commit, these adroit operators never
kill the goose that lays their golden eggs. Beside this animated
Public-domain text, read in full here on John Shaqi.
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