London (England) -- Fiction; Man-woman relationships -- Fiction; Women -- Fiction
Useless to explain! Useless to assert innocence and victimization!
Excuses founded on the vagaries of trains were unacceptable in that
office, as in thousands of offices. Employers refused to take the least
interest in trains or other means of conveyance. One of the girls in
the room called "the large room" had once told Lilian that, living at
Ilford, she would leave home on foggy mornings at six o’clock in order
to be sure of a prompt arrival in Clifford Street at nine o’clock, thus
allowing three hours for little more than a dozen miles. But only in
the book of doomsday was this detail entered to her credit. Miss Grig,
even if she had heard of it--which she had not--would have dismissed it
as of no importance. Yet Miss Grig was a just woman.
"Come into my room, Miss Share, will you, please?" said Miss Grig.
Lilian, apprehending she knew not what, thought to herself bitterly that
lateness for a delicious shopping appointment or a heavenly appointment
to lunch at the Savoy or to motor up the river--affairs of true
importance--would have been laughed off as negligible, whereas lateness
at this filthy office was equivalent to embezzlement. And she resolved
anew, and with the most terrible determination, to escape at no matter
what risks from the servitude and the famine of sentiment in which she
existed.
II
The Malady
Miss Grig’s Christian name was Isabel; it was somehow secret, and never
heard in the office; and Felix, if he ever employed it, could only have
done so in the sacred privacy of the principals’ room. Like her
brother, Miss Grig might have been almost any age, but only the malice
of a prisonful of women could have seriously asserted her to be older
than Felix. Although by general consent an authentic virgin, she had not
the air of one. Rather full in figure, she was neither desiccated nor
stiff, and when she moved her soft body took on flowing curves, so that
clever and experienced observers could not resist the inference, almost
certainly wrong, that in the historic past of Isabel lay hidden some
Sabine episode or sublime folly of self-surrender. She had black hair,
streaked with grey, and marvellous troubled, smouldering black eyes that
seemed to yearn and appeal. And yet in an occasional gesture and tone
she would become masculine.
Public-domain text, read in full here on John Shaqi.
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