London (England) -- Fiction; Man-woman relationships -- Fiction; Women -- Fiction
Miss Share, as she was addressed in the office, was the only child of an
art-master, and until she found the West End she had lived all her life
in a long Putney "road," no house of which could truthfully say that it
was in any way better than or different from its neighbours. This
street realized the ideal of equality before God. It had been Lilian’s
prison, from which she was let out for regular daily exercise, and she
hated it as ardently as any captive ever hated a prison. Lionel Share
had had charge over the art side of an enormous polytechnic in another
suburb. In youth he had won a national scholarship at South Kensington,
and the glory of the scholarship never faded--not even when he was
elected President of the Association of Art Masters. He was destined by
fate to be a teacher of art, and appointed by heaven to be a headmaster
and to reach the highest height of artistic pedagogy. He understood
organization; the handling of committees, of under-masters and of
pupils; the filling-up of forms; the engaging of models; and he
understood profoundly the craft of pushing pupils successfully through
examinations. His name was a sweet odour in the nostrils of the London
County Council. He rehabilitated art and artists in Putney, which
admitted that it had had quite a wrong notion of art and artists, having
hitherto regarded art as unmanly, and artists as queer, loose,
bankruptcy-bound fellows; whereas Mr. Share paid his rent promptly, went
to Margate for his long holiday, wore a frock-coat, attended church, and
had been mentioned as a suitable candidate for the Putney Borough
Council. Until Mr. Share Putney had never been able to explain to
itself the respectability of the National Gallery, which after all was
full of art done by artists. The phenomenon of Mr. Share solved the
enigma--the Old Masters must have been like Lionel Share.
At home Mr. Share was a fat man with a black beard and moustache, who
adored his daughter and loved his wife. A strict monogamist, whose life
would bear the fullest investigation, he was, nevertheless, what is
euphemistically called "uxorious." He returned home of a night--often
late, on account of evening classes--with ravishment. He knew that his
wife and daughter would be ready to receive him, and they were. He
kissed and fondled them. He praised them to their faces, asserting that
their like could not be discovered among womankind, and he repeated
again and again that his little Lilian was very beautiful. He ate and
drank a good supper. If he loved his wife he loved also eating and
drinking. Now and then he would arrive with half a bottle of champagne
sticking out of his overcoat pocket. Not that he came within a thousand
miles of "drinking"! He did not. He would not even keep champagne or
any wine (except Australian burgundy) in the house; but he would pop in
at the wine merchant’s when the fancy took him.
Public-domain text, read in full here on John Shaqi.
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