Of such as I could see, all were alike in the brotherhood of death, all
unlike in the character and history recorded upon them. Here lay a man
who had died--for although this was not death, I have no other name to
give it--in the prime of manly strength; his dark beard seemed to flow
like a liberated stream from the glacier of his frozen countenance; his
forehead was smooth as polished marble; a shadow of pain lingered about
his lips, but only a shadow. On the next couch lay the form of a girl,
passing lovely to behold. The sadness left on her face by parting was
not yet absorbed in perfect peace, but absolute submission possessed the
placid features, which bore no sign of wasting disease, of “killing care
or grief of heart”: if pain had been there, it was long charmed asleep,
never again to wake. Many were the beautiful that there lay very
still--some of them mere children; but I did not see one infant. The
most beautiful of all was a lady whose white hair, and that alone,
suggested her old when first she fell asleep. On her stately countenance
rested--not submission, but a right noble acquiescence, an assurance,
firm as the foundations of the universe, that all was as it should
be. On some faces lingered the almost obliterated scars of strife, the
marrings of hopeless loss, the fading shadows of sorrows that had seemed
inconsolable: the aurora of the great morning had not yet quite melted
them away; but those faces were few, and every one that bore such brand
of pain seemed to plead, “Pardon me: I died only yesterday!” or, “Pardon
me: I died but a century ago!” That some had been dead for ages I knew,
not merely by their unutterable repose, but by something for which I
have neither word nor symbol.
We came at last to three empty couches, immediately beyond which lay the
form of a beautiful woman, a little past the prime of life. One of her
arms was outside the sheet, and her hand lay with the palm upward, in
its centre a dark spot. Next to her was the stalwart figure of a man of
middle age. His arm too was outside the sheet, the strong hand almost
closed, as if clenched on the grip of a sword. I thought he must be a
king who had died fighting for the truth.
“Will you hold the candle nearer, wife?” whispered the sexton, bending
down to examine the woman’s hand.
“It heals well,” he murmured to himself: “the nail found in her nothing
to hurt!”
At last I ventured to speak.
“Are they not dead?” I asked softly.
Public-domain text, read in full here on John Shaqi.
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