In the evening of a gloomy day of August I was sitting in my usual place, my back to one of the windows, reading. It had rained the greater part of the morning and afternoon, but just as the sun was setting, the clouds parted in front of him, and he shone into the room. I rose and looked out of the window. In the centre of the great lawn the feathering top of the fountain column was filled with his red glory. I turned to resume my seat, when my eye was caught by the same glory on the one picture in the room--a portrait, in a sort of niche or little shrine sunk for it in the expanse of book-filled shelves. I knew it as the likeness of one of my ancestors, but had never even wondered why it hung there alone, and not in the gallery, or one of the great rooms, among the other family portraits. The direct sunlight brought out the painting wonderfully; for the first time I seemed to see it, and for the first time it seemed to respond to my look. With my eyes full of the light reflected from it, something, I cannot tell what, made me turn and cast a glance to the farther end of the room, when I saw, or seemed to see, a tall figure reaching up a hand to a bookshelf. The next instant, my vision apparently rectified by the comparative dusk, I saw no one, and concluded that my optic nerves had been momentarily affected from within. I resumed my reading, and would doubtless have forgotten the vague, evanescent impression, had it not been that, having occasion a moment after to consult a certain volume, I found but a gap in the row where it ought to have stood, and the same instant remembered that just there I had seen, or fancied I saw, the old man in search of a book. I looked all about the spot but in vain. The next morning, however, there it was, just where I had thought to find it! I knew of no one in the house likely to be interested in such a book. Three days after, another and yet odder thing took place. In one of the walls was the low, narrow door of a closet, containing some of the oldest and rarest of the books. It was a very thick door, with a projecting frame, and it had been the fancy of some ancestor to cross it with shallow shelves, filled with book-backs only. The harmless trick may be excused by the fact that the titles on the sham backs were either humorously original, or those of books lost beyond hope of recovery. I had a great liking for the masked door. To complete the illusion of it, some inventive workman apparently had shoved in, on the top of one of the rows, a part of a volume thin enough to lie between it and the bottom of the next shelf: he had cut away diagonally a considerable portion, and fixed the remnant with one of its open corners projecting beyond the book-backs. The binding of the mutilated volume was limp vellum, and one could open the corner far enough to see that it was manuscript upon parchment.