Lillian Morris, and Other StoriesSienkiewicz, Henryk
General
Lillian Morris, and Other Stories
Sienkiewicz, Henryk
Frontier and pioneer life -- West (U.S.) -- Fiction; Short stories, Polish -- Translations into English
Meanwhile, the day was inclining toward evening; the weather was
beautiful, and in the air, already dusky, there was so much light that
the whole prairie, the distant groups of cottonwood-trees, the wagons
in our train, and the flocks of wild geese flying northward through
the sky, seemed golden and rosy. Not the least wind moved the grass;
from a distance came to us the sound of rapids, which the Cedar River
formed in that place, and the neighing of horses from the direction
of the camp. That evening with such charms, that virgin land, and the
presence of Lillian, brought me to such a state of mind that my soul
was almost ready to fly out of me somewhere to the sky. I thought
myself a shaken bell, as it were. At moments I wanted to take Lillian’s
hand again, raise it to my lips, and not put it down for a long time;
but I feared lest this might offend her. Meanwhile she walked on near
me, calm, mild, and thoughtful. Her tears had dried already; at moments
she raised her bright eyes to me; then we began to speak again,—and so
reached the camp.
That day, in which I had experienced so many emotions, was to end
joyfully, for the people, pleased with the beautiful weather, had
resolved to have a “picnic,” or open air festival. After a supper more
abundant than usual, one great fire was kindled, before which there
was to be dancing. Henry Simpson had cleared away the grass purposely
from a space of many square yards, and sprinkled it with sand brought
from Cedar River. When the spectators had assembled on the place thus
prepared, Simpson began to dance a jig, with the accompaniment of negro
flutes, to the admiration of all. With hands hanging at his sides he
kept his whole body motionless; but his feet were working so nimbly,
striking the ground in turn with heel and toe, that their movement
could hardly be followed by the eye.
Meanwhile the flutes played madly; a second dancer came out, a third,
then a fourth,—and the fun was universal. The audience joined the
negroes who were playing on the flutes, and thrummed on tin pans,
intended for washing the gold-bearing earth, or kept time with pieces
of ox-ribs held between the fingers of each hand, which gave out a
sound like the clatter of castanets.
Public-domain text, read in full here on John Shaqi.
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