Limehouse (London, England) -- Fiction; Short stories, English
So he grabbed the thin blanket that covered Myrtle, flung it off, and,
before she was awake, half-a-dozen sharp, light blows had fallen on the
exposed little form from a switch. Three gasps of surprise, and then a
scream of pain tore through the night. Again and again he whipped her,
against her screams and struggles. All about the writhing limbs the fang
fell, until screams and appeals sank to moans and a fight for breath;
and then a hoarse voice came to her out of the dark:
“Know what that’s for?” She had not the strength to force a word, but at
a sharp cut she pleaded through automatic sobs.
“That’s ’cos yer ma’s gone with the yeller man, that is. So now yer know.
The yeller man took yer ma away, damn ’im, and I gotter look after yeh
meself now. So that’ll learn yeh to be’ave yerself—see? Someone ought to
stick a knife into that bloody Chink—that’s what they ought. Now, hold
yer row and go to sleep, else you’ll have some more.”
As quickly as he had descended on her, he left her and returned to bed,
and there he lay murmuring to himself. And when Myrtle, with stifled
cries and sobs and chokings, fell at last into a late sleep, it was
with terror in her heart, and a voice in her ears that was mumbling:
“Someone’s gotter stick a knife inside that bloody Chink!”
Next morning he said nothing of the happenings of the night, but he did
not go to work. And suddenly he called her to him, and stood her between
his knees, and so held her in a vice. For some three minutes he held her
thus, staring at her, silent and motionless. The child stood, scarcely
supported by the little strength that was in her, like a mesmerised
rabbit.
Then a hand concealed behind him shot up savagely at her cheek. She
reeled, but made no movement to break away, and as she fell sideways
across him, a lean dog-whip curled with a clever crack about her legs.
He made her stand up, and caressed her with the whip, letting her cower
away, and bringing her smartly back, and then, through her strangled
screams and moans, she became aware that he was singing. The tune was a
music-hall lilt, and the song was:
“Someone oughter stick a knife—stick a knife—stick a knife—someone
oughter stick a knife acrost that bloody Chink!”
Public-domain text, read in full here on John Shaqi.
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