Limehouse (London, England) -- Fiction; Short stories, English
“Right-o!” said Diabolo, and descended the stone stairs. In the wings he
met Jewell, and they moved round the front cloth, before which a girl was
snarling and dancing and divulging the fact that her wardrobe was of the
scantiest. They moved among their props, pulling at this, altering that,
and swearing at the stage hands, who accepted curses as other men accept
remarks about the weather.
“Hope that yellow pussy’ll get your changes a bit smarter to-night,” said
Jewell. “Did I tell you the little perisher’s been after me? Yep....
Fancy thinking I’d take him on! Fresh little greaser! Mauled me about,
too. I pretty quick dropped it across him, you bet.”
“Good,” said Johnnie. “I’ll pull his yeller face to bits if he comes
round you while I’m about. Tell him from me he’d best stop trifling with
suicide. Better ring through, p’r’aps, and tell him to follow our marks
on the score. Here—Fred—ring the band, will you, and tell him Diabolo
and Angela want him to watch out for their cues, ’cos he mucked ’em last
night. Tell him we change to Number Five directly I’m up the rope.”
They drew back to the wings as the serio-comic girl kicked a clumsy
and valedictory leg over the footlights and fell against the entrance
curtain. They heard their symphony being blared by the brass, and then,
with that self-sufficient, mincing gait traditional to the acrobat, they
tripped on.
It was a poor house—a Tuesday night house—thin and cold. They did not
go well; and while Diabolo was doing the greater share of the stunts,
Jewell stood against the back-cloth, with arms behind her in the part of
the attendant sprite. From there she was looking into the bleak, blank
face of Cheng Brander, and she thought that a baboon might wag a baton
with as much intelligence. His attitude in the chair was always the same:
negligent, scornful. He saw nothing from his Olympian detachment, looked
at none of the turns, smiled at none of their quips, but leant back in
his chair at a comfortable angle, his elbow resting on the arm, his
wrist directing the beat of the baton, his glance fixed either on the
score or wandering to the roof.
Following a brilliant display of jugglery with Indian clubs, Johnnie
bowed and danced himself up-stage, whence, by a pulley-rope, he was
hauled to the flies. Jewell mouthed at the stage manager in the wings.
The stage manager spoke through the telephone, and Cheng Brander, bending
to the receiver, listened:
“Number Five,” said the voice to Cheng Brander.
“Number Nine,” said Cheng Brander to his men.
“One! Two! Three!” cried the voice of Johnnie from the flies. The
audience could just perceive his head, as he swung by the legs from the
upper trapeze.
Public-domain text, read in full here on John Shaqi.
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