Limehouse (London, England) -- Fiction; Short stories, English
As Cheng brooded on his insect-ridden cushion, of a sudden the lantern
above the musician was caught by the ribbon of his reed. It danced and
flung a hazy radiance on a divan in the shadow. He saw—started—half rose.
His heart galloped, and the blood pounded in his quiet veins. Then he
dropped again, crouched, and stared.
O lily-flowers and plum blossoms! O silver streams and dim-starred skies!
O wine and roses, song and laughter! For there, kneeling on a mass of
rugs, mazed and big-eyed, but understanding, was Lucy ... his Lucy ...
his little maid. Through the dusk she must have felt his intent gaze upon
her; for he crouched there, fascinated, staring into the now obscured
corner where she knelt.
But the sickness which momentarily gripped him on finding in this place
his snowy-breasted pearl passed and gave place to great joy. She was
here; he would talk with her. Little English he had, but simple words,
those with few gutturals, he had managed to pick up; so he rose, the
masterful lover, and, with feline movements, crossed the nightmare
chamber to claim his own.
If you wonder how Lucy came to be in this bagnio, the explanation is
simple. Battling was in training. He had flogged her that day before
starting work; he had then had a few brandies—not many; some eighteen
or nineteen—and had locked the door of his room and taken the key. Lucy
was, therefore, homeless, and a girl somewhat older than Lucy, so old and
so wise, as girls are in that region, saw in her a possible source of
revenue. So there they were, and to them appeared Cheng.
From what horrors he saved her that night cannot be told, for her ways
were too audaciously childish to hold her long from harm in such a place.
What he brought to her was love and death.
For he sat by her. He looked at her—reverently yet passionately. He
touched her—wistfully yet eagerly. He locked a finger in her wondrous
hair. She did not start away; she did not tremble. She knew well what she
had to be afraid of in that place; but she was not afraid of Cheng. She
pierced the mephitic gloom and scanned his face. No, she was not afraid.
His yellow hands, his yellow face, his smooth black hair ... well, he was
the first thing that had ever spoken soft words to her; the first thing
that had ever laid a hand upon her that was not brutal; the first thing
that had deferred in manner towards her as though she, too, had a right
to live. She knew his words were sweet, though she did not understand
them. Nor can they be set down. Half that he spoke was in village
Chinese; the rest in a mangling of English which no distorted spelling
could possibly reproduce.
But he drew her back against the cushions and asked her name, and she
told him; and he inquired her age, and she told him; and he had then two
beautiful words which came easily to his tongue. He repeated them again
and again:
Public-domain text, read in full here on John Shaqi.
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