Limehouse (London, England) -- Fiction; Short stories, English
The first slow inhalations brought him nothing, but, as he continued,
there would come a sweet, purring warmth about the limbs. This effect
was purely physical: the brain was left cold and awake, the thought
uncoloured. But slowly, as the draws grew deeper, the details of the room
would fade, there would be a soft thunder in the ears, his eyes would
close, and about the head gathered a cloud of lilac, at first opaque, but
gradually lightening in consistency till it became but a shy gauze. Then,
with all control of the faculties in suspension, out of the nebula would
swim infinite delicacies of phantasy and rhythm, of the ethereal reality
of a rose-leaf. There would be faces, half revealed and half secret,
under torrents of loaded curls; faces, now dusky, now strangely white;
faces pure and haunting, and faces of creeping sin, floating without
movement, fading and appearing. Faces sad almost to tears; then laughing,
languishing faces; then cold, profound, animal faces—the faces of women,
for the most part, but now and then faces of children and indeterminate
faces.
As the stupor developed, it would bring music to the ears, and a sense of
the glory of the immediate moment, when every tissue of the body would
be keyed to a pitch of ecstasy almost too sweet to be borne. Then, with
a squall of brass in the ears, the colour would change, and this time it
would hold stranger allurements. The whole dream, indeed, built itself
as one builds a sumptuous banquet of the blending of many flavours and
essences, each course a subtle, unmarked progression on its predecessor.
The last stage of the dope-dream would be a chaos of music and a frenzy
of frock and limb and curl against delirious backgrounds. Always the
background was the Causeway, Orientalised. The little café would leap and
bulge to a white temple, the chimney against the sky would sprout into a
pagoda, and there would be the low pulsing of tom-toms. The street would
sway itself out of all proportion, and grotesque staircases would dip to
it from the dim-starred night; and it would be filled with pale girls,
half-garbed in white and silver, and gold and blue.
Tai Fu had never known a white girl. He was a loathly creature, old
and fat and steamy, and none of the girls would have him, for all his
wealth. His attitude to the world was the cold, pitiless attitude of the
overfed and the over-wined. But it was of him that Pansy thought in her
trouble, and when he called at the cocoa shop, she, sick-limbed and eyes
a-blear, but still working, since there was nothing else she could do,
and it killed thought—she told him her tale. He grinned, loose-lipped,
with anticipation of delight. What she asked him, in effect, was: would
he lend her the money for the funeral? And Tai Fu said at once that he
would, if, that is, she....
Well, she was a good girl, but she loved her mother as she loved nothing
else, human or celestial. A dying wish was to her more sacred than a
social form.
Public-domain text, read in full here on John Shaqi.
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