Limehouse (London, England) -- Fiction; Short stories, English
Memory is a delicate instrument. Like an old musical box, it will lie
silent for long years; then a mere nothing, a jerk, a tremor, will start
the spring, and from beneath its decent covering of dust it will talk
to us of forgotten passion and desire. Some memories are thus moved at
sight of a ribbon, a faded violet, a hotel bill; others at the sound of
a voice or a bar of music, or at the bite of a flavour on the palate or
an arrangement of skies against a well-known background. To me return
all the unhappy, far-off things when I smell the sharp odour of a little
dirty theatre near Blackwall. Then I think upon all those essences of
life most fragrant and fresh, and upon ... Gina Bertello.
Gina Bertello was as facile and appealing as the syllables of her name.
At thirteen she was the happiest and best-loved child in Acacia Grove,
Poplar; for she had those three rare qualities which, together, will
carry any pilgrim safely through this world to the higher blisses of the
next: she was gentle—and brave—and gay.
You might then have seen her about the streets at all hours of day and
night, a frail slip of a kiddie, delicate as a water-colour, swift
and restless as a bird. From her little head hung twenty bright yellow
curls, short to the neck, and these curls shook and caught the sun fifty
times to the minute as she shot her sharp glances, which rested on
nothing and yet reflected everything. Liquid fire seemed to run under
the light skin, and the lines of her figure, every one of which had
something true to say to you, were of an almost epigrammatic neatness.
Small as she was, she was perfectly built, and dressed with that careful
contempt for taste which you may observe in the attire of all children
of theatrical parents. A black satin frock kissed the slim, stockinged
leg at the delicately correct moment; a scarlet band held the waist; a
scarlet hat crowned all; and the shock of short curls, chiming with the
black and scarlet, made an unforgettable picture which always appealed
to the stage sense of her old dad, Batty Bertello. Moreover, there was
the practical advantage that if ever you wanted your Gina in a hurry,
when she was out playing, you could always pick her from any bunch of
children half-a-mile away. Also, she could never be lost, for she stood
alone. Indeed, no child has ever been seen, either in Poplar or in
Kensington, of such arresting appearance as this rumple-headed darling
who, for twelve months, flitted, in small type, across the bills of the
minor music halls. She was as distinctive as a nigger in a snowstorm; and
when she was taken to theatres or concerts beyond the confines of Poplar
where she was known, people turned to stare at her, and turned again to
stare. There was about her some elfish quality that made her seem only
half real. Even her old dad could not quite believe in her. He fully
expected some morning to wake up and find that she had slipped away to
the bluebell or daffodil from which she had escaped.
Public-domain text, read in full here on John Shaqi.
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