Limehouse (London, England) -- Fiction; Short stories, English
As he spoke, the clock above the Millwall Docks shot twelve crashing
notes across the night. When the last echo died, he moved to a cupboard,
and from it he drew strange things ... formless masses of blue and gold,
magical things of silk, and a vessel that was surely Aladdin’s lamp, and
a box of spices. He took these robes, and, with tender, reverent fingers,
removed from his White Blossom the besmirched rags that covered her, and
robed her again, and led her then to the heap of stuff that was his bed,
and bestowed her safely.
For himself, he squatted on the floor before her, holding one grubby
little hand. There he crouched all night, under the lyric moon,
sleepless, watchful; and sweet content was his. He had fallen into an
uncomfortable posture, and his muscles ached intolerably. But she slept,
and he dared not move nor release her hand lest he should awaken her.
Weary and trustful, she slept, knowing that the yellow man was kind and
that she might sleep with no fear of a steel hand smashing the delicate
structure of her dreams.
In the morning, when she awoke, still wearing her blue and yellow silk,
she gave a cry of amazement. Cheng had been about. Many times had he
glided up and down the two flights of stairs, and now at last his room
was prepared for his princess. It was swept and garnished, and was an
apartment worthy a maid who is loved by a poet-prince. There was a bead
curtain. There were muslins of pink and white. There were four bowls of
flowers, clean, clear flowers to gladden the White Blossom and set off
her sharp beauty. And there was a bowl of water, and a sweet lotion for
the bruise on her cheek.
When she had risen, her prince ministered to her with rice and egg and
tea. Cleansed and robed and calm, she sat before him, perched on the edge
of many cushions as on a throne, with all the grace of the child princess
in the story. She was a poem. The beauty hidden by neglect and fatigue
shone out now more clearly and vividly, and from the head sunning over
with curls to the small white feet, now bathed and sandalled, she seemed
the living interpretation of a Chinese lyric. And she was his; her sweet
self and her prattle, and her bird-like ways were all his own.
Oh, beautifully they loved. For two days he held her. Soft caresses from
his yellow hands and long, devout kisses were all their demonstration.
Each night he would tend her, as might mother to child; and each night
he watched and sometimes slumbered at the foot of her couch.
Public-domain text, read in full here on John Shaqi.
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