You may know Henry Wiggin on sight: Henry, the sloppily robed, the slippery faced, with hands deep in pockets, shuffling along the Limehouse streets, hugging the walls in modest self-effacement, one eye sweeping the scene before him, the other creeping sinuously to the rear; Henry, the copper’s nark, the simple, the unsuspecting, knowing not the ways of deceit or the speech of the unrighteous. But Henry has of late become outmoded. After fifteen years of narking he finds that he is getting stale; he is a back number. A new generation has arisen, and with it a new school of nark diplomacy with principles very complex. Business has fallen off, the slops no longer trust him; and the exhilarating pastime of narking has become, for Henry, a weariness of the flesh. Time back, his hands, as a nark, were clean; but in these troublous days he must perforce touch jobs which, in his senescent youth, would have revolted his quick sense of nark honour. His downfall began with that utter abandonment of principle in the Poppy Gardens excitement. And, if you possess a sufficiently adventurous spirit to penetrate into those strange streets where the prudent never so much as peep, and to hazard inquiries concerning Henry the Blahsted Nark, the full explanation, which follows below, will be given you—though in an amplified form, richer in the vivid adjective. It is now known that it was no professional point that led him to slide back on the one person in the world who was more to him than gold or silver or many beers. It was something more tremendous, more incomprehensible, more ... you know. The two people concerned are unfortunately inaccessible to the general public and even to the ubiquitous pressman. Both of them, in their different ways, shrink from notoriety with a timidity as sharp as that which distinguishes the lady novelist. But pressmen are not the only people who can get stories. Here is Henry’s.