Lincoln, Abraham, 1809-1865 -- Caricatures and cartoons
LINCOLN IN CARICATURE
By Rufus Rockwell Wilson
Author Of "Washington: The Capital City"
Illustrated With Thirty-two Plates
Printed For Private Distribution
1903
[Illustration: titlepage]
LINCOLN IN CARICATURE
[Illustration: 000] (Illustrated cap)
INCOLN in caricature is a phase of the career of the great war President
that has thus far lacked adequate treatment. Yet he was the most
bitterly assailed and savagely cartooned public man of his time, and one
has only to search the newspapers and periodicals of that period to find
striking confirmation of this fact. The attitude of Great Britain toward
the Union and its President was then one of cynical and scarcely veiled
hostility, and nowhere were the sentiments of the English government
and of the English masses more faithfully reflected than in the cartoons
which appeared in London _Punch_ between 1861 and 1865, many of which
had Lincoln for their central figure. He was also frequently cartooned
in _Vanity Fair_ the American counterpart of _Punch_; in _Frank Leslie's
Illustrated Newspaper_, and in _Harper's Weekly_. Indeed, nowhere were
the changing sentiments of the people of the North, their likes and
dislikes, their alternates hopes and fears, their hasty, often unjust
judgments of men and measures, more vividly reflected than in the
cartoons dealing with Lincoln which appeared in the last named journal
during the epoch-making days of his Presidency. Thus the thirty-two
plates from these sources here brought together have a value and
interest already important and sure to increase with the passage of
time, for they reflect with unconscious vividness, and as nothing else
can do, the life and color of an historic era, and how his fellows
regarded the grandest figure of that era. It is with their value
as human documents in mind that they have been rescued from their
half-forgotten hiding places, and assembled in chronological sequence,
with such comment as may be necessary to make their purpose and meaning
clear to older men, whose memory may have grown dim, as well as to the
new generation that has come upon the stage in the eight and thirty
years that have elapsed since the close of the Civil War.
[Illustration: 001]
Public-domain text, read in full here on John Shaqi.
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