Lincoln, Abraham, 1809-1865 -- Caricatures and cartoons
|Plate Number Thirty-two--This cartoon, "Britannia Sympathizes with
Columbia," published in _Punch_, on May 6,1865, testifies to the
world-wide grief which attended the death of the great war President,
and shows how strong had become his hold upon all men who love brave
deeds and honest lives. Britons had not hesitated to criticise and
upbraid him living, but dead they were quick to recognize him as the
noblest, knightliest figure of an age rich above all things else in the
number and grandeur of its great men.
It has been impossible to trace the authorship of most of the cartoons
herewith reproduced from _Harper s Weekly_ and _Frank Leslie's
Illustrated Newspaper_, but three of them, at least, are known to be
from the pencil of the elder Frank Bellew, an English artist who came
to this country to embark with John Brougham in the publication of a
short-lived weekly, called the _Lantern_, later helping to found half
a dozen other periodicals. Bellew had cleverness and versatility, and a
rich vein of humor, as the drawings "Sinbad Lincoln and the Old Man of
the Sea," "Lincoln's Last Warning" and "Long Abraham a Little Longer"
bear witness, but he failed to achieve complete success in his work, and
left no impress upon the political thought of his time.
The designer of a majority of the cartoons reproduced from _Vanity
Fair_, which, between 1859 and 1863, ran a checkered but lively
existence, was the late Henry Louis Stephens, a man of fertile and
incisive wit, with unusual ability to enforce a pictorial moral by
simple yet telling methods. For a brief period Mr. Stephens's attitude
toward Lincoln seems to have been touched by the not always good-natured
suspicion with which the public regards a new and comparatively untried
man; but no sooner had Sumter been fired upon than the artist and his
journal became ardent and unswerving in their support of the Union, and
so continued until the end. Stephens's drawings, though somewhat crude
and faulty in method, are, nevertheless, notable for their originality
and force. He lacked, however, either the inclination or the opportunity
to continue in the field for which he had shown so marked an aptitude,
and long before his death, in 1883, fallen into obscurity.
Public-domain text, read in full here on John Shaqi.
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