The latter's mental confusion lingered; she had a strong sense of having
heard Reynold Chase say these strange things long before. Judith left
the piano, sat beside him, and he lightly kissed her. A new dislike of
Judith Feldt deepened in Linda's being. She had no reason for it, but
suddenly she felt absolutely opposed to her. The manner in which Judith
rested against the man by her was very distasteful. It offended Linda
inexplicably; she wanted to draw into an infinity of distance from all
contact with men and life.
She didn't even want to make one of those marriages that had nothing to
do with love, but was only a sensible arrangement for the securing
of gowns and velvet hangings and the luxury of enclosed automobiles.
Suddenly she felt lonely, and hoped that her mother would come back
soon.
XII
But when her mother, now Mrs. Moses Feldt, did return, Linda was
conscious of a keen disappointment. Somehow she never actually came
back. It wasn't only that, after so many years together, she occupied
a room with another than Linda, but her manner was changed; it had lost
all freedom of heart and speech. The new Mrs. Feldt was heavily polite
to her husband's daughters; Linda saw that she liked Pansy, but Judith
made her uncomfortable. She expressed this in an isolated return of the
old confidences:
“That girl,” she said sharply, “likes petting. She can talk all night
about her soul and beauty, and play the piano till her fingers drop
off, but I--I--know. You can't fool me where they are concerned. I can
recognize an unhealthy sign. I never believed in going to all those
concerts and kidding yourself into a fever. I may have shown myself a
time, but you mark my word--I was honest compared to Judith Feldt. Don't
you be impressed with all her art talk and the books she reads. I was
looking into one yesterday, and it made me blush; you can believe it or
not, it takes some book for that!”
At the same time she treated Judith with a studious sweetness. Mr. Moses
Feldt--Linda always thought of him as that--was a miracle of kindly
cheerfulness. He made his wife and her daughter, and his own girls, an
unbroken succession of elaborate and costly presents. “What's it for
if not to spend on those you love?” he would remark, bringing a small
jeweler's box wrapped in creamy-pink paper from his pocket. “You can't
take it with you. I wasn't born with it--mama and I were as poor as
any--you'll forgive me, Stella, I know, for speaking of her. I got
enough heart to love you both. 'Oh, mama!' I said, and she dying, 'if
you only won't go, I'll give you gold to eat.'”
Public-domain text, read in full here on John Shaqi.
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