Seated, perhaps, in the elaborate marble and deep red of the Boscombe's
reception-rooms, isolated in the brilliant expensive throng, she would
speculate over what passed in the light of her own special problems. But
nothing, really, came out to her satisfaction. There was, notably, no
one she might ask. Her mother, approached seriously, declared that Linda
gave her the creeps; while others made it plain that it was their duty
to repress the forwardness inevitable from the scandalous neglect of her
upbringing.
They, the women of the Boscombe, glancing at their finger-nails stained
and buffed to a shining pale vermilion, lightly rubbing their rings on
the dry palm of a hand, wondered pessimistically within Linda's hearing
what could come out of such an association. That term, she vaguely
gathered, referred to her mother. The latter evidently interested them
tremendously; because, she explained, they had no affairs of their
own to attend to. This was perfectly clear to Linda until Mrs. Condon
further characterized them as “busy.”
The women, stopped by conventions from really satisfactory investigation
at the source, drew her on occasion into a laboriously light
inquisition. How long would Linda and her mama stay at the Boscombe? Had
they closed their apartment? Where was it? Hadn't Mrs. Condon mentioned
Cleveland? Wasn't Linda lonely with her mama out so much--they even said
late--in rolling chairs? Had she ever seen Mr. Jasper before his arrival
last week?
No, of course she hadn't.
Here they exchanged skeptical glances beneath relentlessly pulled
eyebrows. He was really very nice, Mr. Jasper. Linda in a matter-of-fact
voice replied that he had given her a twenty-dollar gold piece. Mr.
Jasper was very generous. But perhaps he had rewarded her for being a
good little girl and not--not bothering or hanging about. “Why should
he?” was Linda's just perceptibly impatient response. Then they told her
to be quiet because they wanted to listen to the music.
This consisted in studying, through suspended glasses in chased
platinum, a discreet programme. At the end of a selection they either
applauded condescendingly or told each other that they hadn't cared for
that last--really too peculiar. Whichever happened, the leader of the
small orchestra, an extravagant Italian with a supple waist, turned and
bowed repeatedly with a grimacing smile. The music, usually Viennese,
was muted and emotional; its strains blended perfectly with the floating
scents of the women and the faintly perceptible pungent odors of dinner.
Every little while a specially insinuating melody became, apparently,
tangled in the women's breathing, and their breasts, cunningly traced
and caressed in tulle, would be disturbed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account