“Perhaps--” he stopped, waiting any assurance whatever, his face eager
like a dusty lamp in which the light had been turned sharply up. She was
unable to stir, to move her gaze from his hopeful eyes, to mitigate by a
breath her slender white aloofness. A smile different from hers,
tender with remission, lingered in his fading irradiation. The dusk was
gathering, adding its melancholy to his age--sixty-five now. Why that
was an old man! Her sympathy vanished in her shrinking from the twilight
that was, as well, slowly, inevitably, deepening about her.
It was laughable that, as she approached an age whose only resource
was tranquillity, she grew more restless. Her present vague agitation
belonged ridiculously to youth. The philosophy of the evident that had
supported her so firmly was breaking at the most inopportune time. And
it was, she told herself, too late for anything new; the years for
that had been spent insensibly with Arnaud. Linda was very angry with
herself, for, in all her shifting state of mind, she preserved an inner
necessity for the quality of exactness expressed in her clothes. There
were literally no neglected spaces in her conscious living.
Her thoughts finally centered about the statue in Hesperia--it presented
an actual mark for her fleeting resentments. She wondered why it so
largely occupied her thoughts, moved her so personally. She watched the
papers for the scattered reports of the progress of the contention it
had roused, some ill-natured, others supposedly humorous, and nearly
all uninformed. She became, Arnaud said, the champion of the esthetic
against Dagon. He elaborated this picture until she was forced to smile
against her inclination, her profound seriousness. Linda had the feeling
that she, too, was on the pedestal that held the bronze effigy of Simon
Downige challenging the fog that obscured men. Its fate was hers. She
didn't pretend to explain how.
As time passed it seemed to her that it took her longer and longer to
dress in the morning, while her preparations couldn't be simpler; her
habit of deliberation had become nearly a vice, the precision of her
ruffles, her hair, a tyranny. She never quite lost the satisfaction of
her mirror's faultless reflection; and stopped, now, for a moment's
calm interrogation of the being--hardly more silvery cool than the
reality--before her.
Arnaud was at the table, and the gaze with which he met her was
troubled. The morning paper, she saw, was, against custom, at her place,
and she picked it up with an instinctive sense of calamity. The blackly
printed sensational headline that immediately established her fear sank
vivid and entire into her brain: an anonymous inflamed mob in Hesperia
had pulled down and destroyed Pleydon's statue. Their act was described
as a tribute to the liberality of the present Downige family in the
light of its objection to the monument.
Public-domain text, read in full here on John Shaqi.
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