Florian shook his head wearily. “No, no; not _them_,” he murmured with
melancholy emphasis. “I don’t mind about _them_. They, at least, are
silent, and, besides, if you like, you can get up and catch them. Bells,
bells! my dear fellow; bells, bells, all the morning. They’ve been
tinkling in my ear every blessed minute since the clock struck three.
It’s unendurable, horrible.”
“Oh, the cow-bells!” Will answered, laughing. “Why, for my part, I like
them. They’re a feature of the place; they sound so countrified. I
hardly hear them at all, or if I hear them, they come to me drowsily
through the haze of my dreams like the murmur of water or a nurse’s
lullaby. I find them, to tell you the truth, positively soothing.
Besides,” he added, mischievously, with a malicious little smile, “in
such a village as this, who cares where he sleeps, or whether he sleeps
at all? He should be able to subsist here on scenery and the
affections.”
At the words, Florian’s head disappeared incontinently. That, surely,
was the unkindest cut of all. Thus convicted out of his own mouth, by
his familiar friend, he could but retire abashed to complete his toilet.
That Deverill should have slept all night long, while he lay awake, and
tossed, and turned, and wished ill to the whole ill-omened race of cows,
was bad enough in all conscience; but that he should pretend he _liked_
those disgusting bells was nothing short of atrocious.
He descended a little later to the homely parlour. Will was down there
before him, and had succeeded in ferreting out an old violin from a
corner cupboard. He was musical, was Will—not, to be sure, in the grand
perceptive and critical way, like Florian himself, who played no
instrument and understood all perfectly, but, after the inferior fashion
of the mere dexterous executant, who possesses a certain physical
suppleness and deftness of fingers to elicit from dumb strings the most
delicate fancies of a Mendelssohn or a Chopin. In pursuance of this
lesser gift of his—“the common faculty of the fiddler,” as Florian
called it—Will was just then engaged by the open window in playing over
to himself a pretty little song by some unknown composer. He played it
very well, too, Florian admitted, condescendingly; Will had a capital
ear, indeed, and was not without feeling of a sort, for the finer
touches in musical composition—up to a certain point, you know; not
quite, of course, to the high and delicate level of Florian’s own
cultivated and refined perceptions. It was a charming piece, however—a
very charming piece—and, after a while, Will began singing the words to
it. Florian listened with pleasure and a forgiving smile to the clever
twists and turns of that well-arranged melody.
Public-domain text, read in full here on John Shaqi.
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