were it not for a wholesome and restraining dread that others might find them out as he himself had done. So the Seer, thus well and cheaply advertised by anticipation, made a hit for the moment, as dozens of such quacks have done before and since, from Home and Bishop to the Little Georgia Magnet. As for Will Deverill’s play, the first night was crowded. All London was there, in the sense that the Savage, the Garrick, and the Savile give to all London. Rue had taken tickets for stalls with reckless extravagance, and bestowed them right and left, as if on the author’s behalf, to every influential soul among her fine acquaintance. Florian whipped up a fair number of first-nighters of the literary clique, and not a few great ladies from Belgravia drawing-rooms. The audience was distinctly and decidedly favourable. But not all the packed houses that ever were can save a bad play, if bad it is, from condign damnation. The incorruptible pit and the free and independent electors of the gallery are no respecters of persons, in their critical capacity. Fortunately, however, as it happened, Will’s play was a good one. It didn’t take the audience by storm at the first hearing, but it pleased and satisfied them. One or two of the melodies had a catchy ring; one or two of the scenes were both brilliant and pathetic. The house encored all the principal tunes; and when the curtain fell on virtue triumphant, in the person of _Honeysuckle_, vociferous cries arose on every side for “Author! Author!” Will sat in a stage box, throughout the whole performance, with Florian, Rue, his sister, Mrs Sartoris, and her husband, the amiable East End curate. It was a three-act piece. As far as the end of the second act, Maud Sartoris was delighted; it was a distinct success, and Rue was very well pleased. Maud thought that was good; after all, whether she “smelt of drapery” or not, it’s well for one’s brother to produce a favourable impression on a woman with a fortune of seven hundred thousand. But the third act, she felt sure, was distinctly inferior to the two that preceded it. She said as much to Rue, while Will, trembling with excitement from head to foot, slipped off to make his expected bow before the curtain. At those words of hers, Rue turned pale. She had thought so all through, though she would hardly acknowledge it, even to herself, and she feared in her own heart she knew the reason. Could Will have written the first two acts during those happy days when his head was stuffed full of Linnet at Meran, and gone on with the third in a London lodging after he learned of her marriage to Andreas Hausberger? Rue more than half-suspected that obvious explanation—for _Honeysuckle_ was Linnet—and the thought disquieted her.