“_You_ wrote it!” Florian repeated, dazzled and stunned at the news.
“You compose as well as rhyme! You set your own songs to music, do you?
Well, upon my soul, Deverill, I hadn’t till this moment the slightest
idea you had such an accomplishment.”
“Oh, I’m only a beginner,” Will answered, with a faint blush, laying
down the violin,—“or rather an amateur, for I’ve always dabbled in it.
But I’ve only published one song. I just strum to amuse myself. Good
morning, Herr Hausberger; what an exquisite day! We’d better take
advantage of it for a climb up the Rauhenkopf.”
The landlord, dish in hand, bowed his courteous and courtly bow. There
was deference in it, without a tinge of servility. Florian noted with
approbation that mixture of independence and a just self-respect which
formed a component part of his preconceived idea of the Tyrolese
character. Andreas Hausberger was “right,” because he was very much as
Florian would have pictured him. “Yes; a very good day for the ascent,”
the landlord said, quietly. “We will put up some lunch—cold meat and
Pilsener. You’ll get a fine view, if you start in good time, over the
Zementhal glaciers.”
Florian sat down to the table, a trifle crestfallen; but the poached
eggs were excellent, and the coffee fragrant; and he consoled himself
for the cow-bells and the mishap about the song by the reflection that,
after all, these idyllic milkmaids, with the voice of a prima donna and
the manners of Arcadia, were in exact accordance with the operatic ideal
of his own imagined Tyrol. They sang like the Chorus of Happy Peasants;
they behaved as the mountain lass of poetry ought always to behave, and
as the mountain lass of reality often utterly fails to do.
That morning on the Rauhenkopf was to Florian a day of unmixed delights.
He was At Home with Nature. In a vague sort of way, without troubling
himself much to know anything about them, the town-bred philosopher
loved the fragrant fields, the beautiful flowers, the mossy rocks, the
bright birds, the chirping insects. And Will Deverill knew them
all—their names, and where to find them. The ragged, sweet-scented
pinks still loitered late in deep clefts of the glacier-worn rock; a few
stray sky-blue gentians still starred the rich patches of Alpine
pasture; emperors and orange-tips still flaunted their gaudy wings in
full autumn sunshine. Florian drank in all these things with pure
sensuous delight; the sweet sounds of the fields, the smell of tedded
kine filled his æsthetic soul, not so much with direct pleasure, as with
some faint afterglow of literary reminiscence.
Public-domain text, read in full here on John Shaqi.
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