And, sure enough, about five o’clock that afternoon, as the strangers
were returning from a long stroll on the wooded heights that overhang
the village, they came unexpectedly, at a turn of the mountain footpath,
where two roads ran together, upon a quaint and picturesque Arcadian
procession. A long string of patient cows, in the cream-coloured coats
of all Tyrolese cattle, wound their way with cautious steps down the
cobble-paved zig-zags. A tinkling bell hung by a leather belt from the
neck of each; garlands of wild flowers festooned their horns; a group of
peasant children assisted at the rude pageant. In front walked a boy,
with a wreath slung across his right shoulder like a sash, leading the
foremost cow most unceremoniously by the horns; the rear was brought up
by a pretty sunburnt girl, with a bunch of soft pasque-flowers stuck
daintily in her brown hair, and a nosegay of bluebells peeping
coquettishly out of her full round bosom. Though vigorous-looking in
figure, and bronzed in face by the sun and the open air, she was of
finer mould and more delicate fibre, Will saw at a glance, than most of
the common peasant women in that workaday valley. Her features were full
but regular; her mouth, though large and very rich in the lips (as is
often the case with singers), was yet rosy and attractive; her eyes were
full of fire, after the true Tyrolese fashion; her rounded throat, just
then trembling with song, had a waxy softness of outline in its curves
and quivers that betrayed in a moment a deep musical nature. For she was
singing as she went, to the jingling accompaniment of some thirty
cow-bells; and not even the sweet distraction of that rustic discord
could hide from Will Deverill’s quick, appreciative ear the fact that he
stood here face to face with a vocalist of rare natural gifts, and some
homespun training.
He paused, behind the wall, as the procession wound round a long double
bend, and listened, all ears, to a verse or two of her simple but
exquisite music.
“This _must_ be Linnet!” he cried at last, turning abruptly to Florian.
And the boy at the head of the procession, now opposite him by the bend,
catching at the general drift of the words with real Tyrolese quickness,
called out with a loud laugh to the singer just above: “Sagt er, das
musz ja Linnet seyn!” and then exploded with merriment at the bare idea
that the Herrschaft should have heard the name and fame of his
companion.
Public-domain text, read in full here on John Shaqi.
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