At one touch of her wand the bells tinkled once more; the long string
got under way; the children by the side recommenced their loud shouts of
rustic merry-making. For the return of the cows from the alp is a little
festival in the villages; it ends the long summer’s work on the mountain
side, and brings back the unmarried girls from their upland exile to
their homes in the valley. Linnet drove her herd now, however, more
soberly and staidly. The free merriment of Arcadia had faded out of the
ceremony. One touch of civilisation had dispelled the dream. She knew
she was observed; she knew the two strangers were waiting to hear if she
would trill forth her wild song again, for they followed close at her
heels, talking rapidly among themselves in their own language—so
rapidly, indeed, that Linnet could hardly snatch here and there by the
way a single word of their earnest conversation. Once or twice she
looked back at them, half-timidly, half-provokingly.
“Sing again!” Florian cried, clasping his hands in entreaty.
But the wayward alp-girl only laughed her coy refusal.
“No, no,” she said in her patois, with a little shake of her beautiful
head; “that must not be so. I sing no more now. I must drive home my
cows. They are tired from the mountains.”
“But, I say,” Florian cried at last, bursting in upon his mountain nymph
with this very colloquial and unpoetic adjuration; “look here, you know,
Fräulein Linnet, you say you learn English from our landlord, Herr
Hausberger. Now, what does he want to teach you for?”
Linnet turned round to him with a naïve air of unaffected surprise.
“Why, when he teach me Ennglish songs,” she said, “I will know what mean
the words. Also, I have remembered a little—a very little—since the
Ennglish gentleman teach me at my father’s. Besides, too, shall I not
need it when I go to Enngland?”
“Go to England!” Florian repeated, all amazed at the frank remark. She
seemed to take it for granted they must know all her plans. “When you go
to England! Oh, he means to take you there, then! You’re one of his
troupe, I suppose; or you’re going to be one.”
“I am not gone away yet,” Linnet answered, not a little abashed to find
herself the centre of so much unwonted interest; “but I go next time; I
will sing with his band. All summers, I stop on the mountain and milk;
with the winter, come I down to the house to practise.”
“But you don’t mean to say,” Will put in, in German (it was easier so
for Linnet to answer him), “he lets a singer like you live out by
herself in a châlet on the hills with the cows all summer?”
Public-domain text, read in full here on John Shaqi.
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