Florian looked closer. As yet, he had never observed the subsidiary
episode of the spirits in their throes of fiery torment, which forms a
component part of all these wayside oratories. He inspected the rude
design with distant philosophical interest. “This is quaint,” he said,
“most quaint. I admire its art immensely. The point about it all that
particularly appeals to me is the charming superiority of Our Lady’s
calm soul to the essentially modern vice of pity. There she sits on her
throne, unswerved and unswerving, not even deigning to contemplate with
that marked squint in her eye the extremely unpleasant and uncomfortable
position of her petitioners beneath her. I admire it very much. I find
it quite Etruscan.”
“To you and me—yes, quaint—nothing more than that,” Will responded,
soberly; “but to Linnet, it’s all real—fire, flames, and torments; she
believes what she sees there.”
As he spoke, the girl came back, with her nosegay in her hand, and,
tying it round with a thread from a little roll in her pocket, laid it
reverently on the shrine with a very low obeisance. “You see,” she said
to Will, speaking in English once more, for Andreas Hausberger wished
her to take advantage of this unusual opportunity for acquiring the
language, “my poor father is killed in the middle of his sins; he falls
from the rock and is taken up dead; there is no priest close by; he has
not confessed; he has not had absolution; he has no viaticum; no oil to
anoint him. That makes it that he must go straight down to purgatory.”
And she clasped her hands as she spoke in very genuine sympathy.
“Then all these shrines,” Florian said, looking up a little surprised,
“are they all of them where somebody has been killed by accident?”
“The most of them,” Linnet answered, as who should say _of course_; “so
many of our people are that way killed, you see; it is thunderstorms, or
snow-slides, or trees that fall, or floods on rivers, things that I
cannot say, for I know not the names how to speak them in English. And,
as no priest is by, so shall they go to purgatory. For that, we make
shrines to release them from their torments.”
Public-domain text, read in full here on John Shaqi.
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