At one end of the room, on a little raised platform, the music sat
installed;—a trombone, a zither, and a wooden hackbrettle made up the
whole orchestra. Scarcely had the performers struck up an enlivening
tune when the men, selecting as partners the girls of their choice,
began to dance round the hall in the very peculiar and (to say the whole
truth) extremely ungraceful Tyrolean fashion. Will and Florian had heard
from the landlord beforehand of the expected feast, to which they were
not invited; but, “at the sound of the harp, sackbut, psaltery, and all
kinds of music,” as Florian phrased it, their curiosity was so deeply
aroused that they crept from their sitting-room and peeped cautiously in
at the door of the _Tanzboden_. The sight that met their eyes in that
close-packed hall was sufficiently striking. Even Florian allowed this
was utterly Arcadian. For a minute or two, just at first, the young men
and maidens, grasping each other wildly round the neck and waist with
both their arms, in a sort of bear-like death-hug, whirled and eddied in
a maze round and round the room, stamping their heavy boots, till Will
almost trembled for the stability of the rafters. For some time that was
all: they twisted and twirled in closely-coupled pairs, clasped breast
to breast, like so many dancing dervishes. But, of a sudden, at a change
of the music, as if by magic, with one accord, the whole figure altered.
Each man, letting his partner go, began suddenly to perform a series of
strange antics and evolutions around her, the relics of some
pre-historic dance, of which the snapping of fingers and uttering of
_heuchs_ in a Highland fling are but a faint and colourless
reminiscence. As the reel went on, the music grew gradually faster and
faster, and the motions of the men still more savage and fantastic. The
two Englishmen looked on in astonishment and admiration. Such agility
and such verve they had never before seen or even dreamt of. Could these
rustic cavaliers be really made of india-rubber? They twisted and turned
and contorted themselves all the time with such obliviousness of their
bones, and such extraordinary energy! They smacked their lips and
tongues as they went; they jumped high into the air; they bent back till
their heads touched the ground behind; they bounded upright once more to
regain their position like elastic puppets, and, in between whiles, they
slapped their resounding thighs with their horny hands; they crowed like
cocks; they whistled like capercailzie; they stamped on the ground with
their hob-nailed shoes; they shouted and sang, and clicked their tongues
in their cheeks, and made unearthly noises deep down in their throats
for which language has as yet no articulate equivalent. Florian gazed
and glowered. And well he might; ’twas an orgie of strange sound, a
phantasmagoria of whirling and eddying motion.
Public-domain text, read in full here on John Shaqi.
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