Florian waved that dainty Dresden china hand expansively once more over
the landscape before him, as if it belonged to him. “Pardon me,” he
said, sententiously; “in many things, I admit, the reality might be
improved upon. The mountains, for example, should be higher, their forms
more varied, their peaks more jagged, their sides more precipitous; the
snow should drape them with more uniform white, regardless of the petty
restrictions of gravity; the river should tear down far rockier ravines,
in more visible cataracts. But Nature has sometimes her happy moments,
too. And I call this one of them! Those women, now, so Millet-like in
their patient toil—how sympathetic! how charming! A less primitive
society, a less idyllic folk, would have imposed such burdens upon a
horse or a donkey. The Tyrol knows better. It is more naïve, more
picturesque—in one word, more original. It imposes them on the willing
neck of beautiful woman!”
“It’s terribly hard work for them,” Deverill answered, observing them
with half a sigh.
“For _them_? Ah, yes, I admit it, of course, poor souls!—but for _me_,
my dear fellow—for _me_, just consider! It gives me a thrill of the
intensest sensibility. In the first place, the picture is a beautiful
one in itself—the figures, the baskets, the frame, the setting. In the
second place, it suggests to the observant mind an Arcadian life, a true
Dorian simplicity. In the third place—which is perhaps the most
important of all—it affords me an opportunity for the luxury of
sympathy. What is the trifling inconvenience of a heavy load on their
backs to these poor ignorant creatures, compared with the refined and
artistic pleasure—of an altruistic kind—which I derive from pitying
them?”
“Florian!” his friend said, surveying him comically from head to foot,
“you really are _impayable_. It’s no use arguing with you; it only
flatters you. You know very well in your heart you never mean a word of
anything you say; so stop your nonsense and put yourself in marching
order again. Let’s get on to Zell, and see what sort of quarters we can
find in the village.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account