“How delightful!” Florian cried, effusively. “Franz Lindner’s loss is
our gain, Fräulein Linnet. No; don’t frown at me like that; it _must_ be
Fräulein; I’ve too much respect for you to call you otherwise. But,
anyhow, we’ll sit out this dance and talk with you.”
“And I,” Will put in with a quiet smile, “I’ll call you Linnet, because
you prefer it.”
“Thank you,” Linnet said, shyly, with a grateful flash of her eyes, and
a side glance towards Franz Lindner; “it seems less as if you mock at
me.”
As they spoke, the figure changed of a sudden once more to a still
stranger movement. The women, falling apart, massed themselves together
in a central group, in attitudes expressive of studied indifference and
inattention to the men; their partners, on the contrary, placing
themselves full in front of them, began a series of most extraordinary
twists and twirls, accompanied by loud cries or snapping of fingers, and
endeavoured by every means in the power, both of lungs and limbs, to
compel their disdainful coquettes to take notice of their antics. While
they stood there and watched—Linnet with eyes askance on Franz
Lindner’s face—Andreas Hausberger strolled up, and took his place
beside them.
“Why, that’s the blackcock’s call!” Will exclaimed, with a start of
recognition, as the dancers, with one accord, uttered all in a chorus a
shrill and piercing note of challenge and defiance. “I’ve heard it on
the mountains.”
“Yes,” the _wirth_ assented; “that’s the blackcock’s call, and this,
that they’re doing, is the blackcock’s love-dance. In the springtime, on
the mountains, you know, the blackcocks and the grey hens assemble in
their dancing place—their _Tanzboden_ we call it, just the same as we
call this one. There, the hens stand aside, and pretend to be coy, and
take no notice of their mates, like the girls in this dance here; while
the blackcock caper in front of them, and flap their wings, and fluff
their necks, and do all they know to display their strength and beauty.
Whoever dances the most and best, gets most of the hens to join his
harem. So our young men have got up this love-dance to imitate them;
they flap their arms the same way, and give the blackcock’s challenge.
Nature’s pretty much the same above and below, I guess—especially here
in the Tyrol, where we haven’t yet learned to hide our feelings under
smooth silk hats as you do in England. But it’s all good for trade, and
that’s the great thing. It makes them thirsty. You’ll see, after this
bout, the beer will flow like water.”
Public-domain text, read in full here on John Shaqi.
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