She looked up at him with a look of childlike appeal. In a moment,
though with an effort, Will realised to himself how the question looked
to her. Andreas Hausberger was her master, and had always been her
master. She must do as he bid, for he was very masterful. He was her
teacher, too, and would help her to make her fortune as a singer in the
world, if ever she made it. He was rich, as the folk of the village
counted riches, and could manage that things should be pleasant or
unpleasant for her, as it suited his fancy. In a community where men
still fought with bodily arms for their brides, Andreas Hausberger’s
will might well seem law to his _sennerin_ in any such matter.
“Besides,” Linnet went on, plucking another ragwort, and similarly
demolishing it, “if I didn’t want to take him, the Herr Vicar would make
me. For the Herr Vicar would do, of course, as Andreas Hausberger wished
him. And how could I dare disobey the Herr Vicar’s orders?”
To this subtle question of religion and morals Will Deverill, for his
part, had no ready-made answer. Church and State, it was clear, were
arrayed against him. So, after casting about for a while in his own mind
in vain for a reply, he contented himself at last with going off
obliquely on a collateral issue. “And you think,” he said, “Andreas
Hausberger really wants to marry you?”
“Well, he never quite _told_ me so,” Linnet replied, half-deprecatingly,
as who fears to arrogate to herself too great an honour, “and perhaps
I’m wrong; but still I _think_ he means it. And I think it’ll perhaps
depend in part upon how he finds the foreign Herrschaft like my singing.
For that, he says little to me about it at present. But if he sees I do
well, and am worth making his wife—for he’s the best husband a girl
could get in St Valentin—in that case, ja wohl, I believe he’ll ask
me.”
She said it all naturally, as so much matter of course. But Will’s
poetic soul rebelled against the sacrifice. “Surely,” he cried, “you
must love some one else; and why not, then, take the man you love,
whoever he may be, and leave Andreas Hausberger’s money to perish with
him?”
“So!” Linnet said quickly—the pretty German “so!” Her fingers trembled
as she twitched at the rays of the ragwort. She plucked the florets in
haste, and flung them away one by one. First love’s conversation deals
largely in pauses. “The man one might love,” she murmured at last with a
petulant air, “doesn’t always love one. How should he, indeed? It is not
in nature. For, doesn’t the song say, ‘Who loves me, love I not; whom I
love, loves me not?’ But what would the Herr Vicar say if he heard me
talking like this with the foreign gentlefolk? He’d tell me it was sin.
A girl should not speak of her heart to strangers. I have spoken too
much. But I couldn’t help it, somehow. The _gnädige Herr_ is always so
kind to me. You lead me on to confess. You can understand these things,
I think, so much better than the others.”
Public-domain text, read in full here on John Shaqi.
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