Lion and Dragon in Northern ChinaJohnston, Reginald Fleming, Sir
History
Lion and Dragon in Northern China
Johnston, Reginald Fleming, Sir
Weihai (China) -- History; Weihai (China) -- Social life and customs
The inscription on a tablet now before me[218] may be translated as
follows. _Outside._ "The Spirit-tablet of my deceased honoured father
and mother. I their son Yüeh-hsiang reverentially make obeisance and
offer sacrifice."[219] _Inside._ "The Imperial Ch'ing Dynasty. The
Spirit-tablet of Yao Fêng-chu, the eldest son of his generation,[220]
and his wife Chang Shih." Sometimes dates are added on the tablet
but these are not essential, as all such records are preserved in
the genealogical table or pedigree-scroll. On ceremonial occasions
the tablets are set out in due order, so that the spirits may be
comforted by the sacrificial offerings and by the sight of the many
prosperous-looking descendants who have assembled to do them honour.
In front of the tablets are set up sticks of fragrant incense, and all
the members of the family present themselves in turn and bow reverently
towards the souls of their dead forefathers.
The little ceremony is as simple and yet as impressive as could well be
imagined. For the first few days of the New Year the pedigree-scroll
(_chia p'u_), which is carefully wrapped up and put away at ordinary
times, is unrolled and hung on the wall, where it receives a share of
the reverence paid to the tablets. The scroll is often a beautiful work
of art, painted to represent a temple or a grand family mansion,[221]
while the names of the past generations are inscribed in successive
rows so that the space devoted to each name looks a spirit-tablet
in miniature. In some parts of China, but not in Weihaiwei, it
is customary to have family portraits painted for the purpose of
preserving the "shadow-semblances" (_ying hsiang_) of ancestors as
sacred heirlooms in the family temples. Like the pedigree-scroll, such
portraits are exposed to view on solemn occasions only. They are often
painted while the subject is on his death-bed or immediately after his
death. De Groot[222] compares these family portraits with the _imagines
maiorum_ of the ancient Romans.
[Illustration: SPIRIT-TABLETS.
In the illustration on the left the slide has been removed.]
Public-domain text, read in full here on John Shaqi.
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