Courtship -- Fiction; England -- Social life and customs -- Fiction
'Tis the night of the ball, dinner is over and the house party is
collected in the hall, waiting the arrival of the guests. The fiddles
are scraping away in the drawing-room, where the furniture having been
taken away and the carpet removed, the floor looks inviting and 'is
perfectly delicious' owns Philippa, having performed a _pas seul_
thereon, before anyone was down. She looks extremely pretty to-night in
a quaint, little white satin dress, her hair fluffed all round her
head, and tied up with pale green ribbons.
At this moment she is striving in vain to button up one of Chubby's
gloves. 'It's awfully good of you,' he says. 'I can't think why they are
so tight, what--'
'If I don't button it this time,' she replies, 'I really can't try any
more, for I have not got my own on yet, and I know they'll begin to
dance in a moment.'
'You'll let me have the first, won't you?' he says.
'Certainly,' she answers, all her attention absorbed in the button which
is just half in the button-hole, one little poke and 'there it's done,'
she says.
But alas! it is _done_ indeed, for there is an ominous crack, and a
large split is seen right across it.
'What a nuisance,' says Helmdon, gazing at the torn article.
'Oh I hope it wasn't my fault,' says Lippa.
'No; not at all, I assure you--'
'Don't waste time then looking at it, fetch another quickly,' and
Philippa begins hastily to cover her own bare hands. 'Chubby,' she calls
after him, 'they're beginning to dance. I can't keep this one for you,
the next one will do just as well, won't it?'
'Quite,' is the reply as he ascends the stairs three steps at a time;
while she becomes aware of two men making for her, Harkness and
Dalrymple, the former she feels will reach her first, and she has no
desire to dance with him: so she suddenly feels that she ought to be
nearer her sister-in-law, and edging her way through the crowd gains her
chaperon's side, a second before Jimmy comes up.
'May I have this?' he says eagerly, and receiving an affirmative, he
leads her off to the ball-room, where the "Garden of Sleep" waltz is
echoing through the well-lighted apartment, and the air is fragrant with
the scent of many flowers. Already a goodly crowd is there, mammas,
elderly spinsters, girls of all sizes and ages, in satin, silks, and
tulle; old men, middle-aged men, young men and mere boys are all
collected there. In a second Dalrymple and Philippa join in the giddy
dance; for what is more giddifying (if I may use such a word), than
waltzing in a room full of people who have not summoned up courage
enough to begin, round and round they go, till Miss Seaton at length
says, 'I think I really must stop although the best part of the tune is
just coming. We can't be like the river, can we, going on forever:'
'Men may come and men may go,'
'But I go on forever.'
She murmurs more to herself than to him, as they make their way to the
conservatory, and then, 'Do you like poetry?' she asks.
Public-domain text, read in full here on John Shaqi.
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