Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
We were ushered into the little _salon_ at the left of the passage,--the
one often mentioned in "Villette,"--and here we made known our wish to
see the garden and class-rooms, and met with a prompt refusal from the
neat _portresse_. We tried diplomacy (also lucre) with her, without
avail: it was the _grandes vacances_, the ladies were out, M. Heger was
engaged, we could not be gratified,--unless, indeed, we were patrons of
the school. At this juncture a portly, ruddy-faced lady of middle age
and most courteous of speech and manner appeared, and, addressing us in
faultless English, introduced herself as Mademoiselle Heger,
co-directress of the _pensionnat_, and "wholly at our service." In
response to our apologies for the intrusion and explanations of the
desire which had prompted it, we received complaisant assurances of
welcome; yet the manner of our kind entertainer indicated that she did
not appreciate, much less share in, our admiration and enthusiasm for
Charlotte Bronte and her books. In the subsequent conversation it
appeared that Mademoiselle and her family hold decided opinions upon the
subject,--something more than mere lack of admiration. She was familiar
with the novels, and thought that, while they exhibit a talent certainly
not above mediocrity, they reflect the injustice, the untruthfulness,
and the ingratitude of their creator. We were obliged to confess to
ourselves that the family have apparent reason for this view, when we
reflected that in the books Miss Bronte has assailed their religion and
disparaged the school and the character of the teachers and pupils, has
depicted Madame Heger in the odious duad of Madame Beck and Mademoiselle
Reuter, has represented M. Heger as the scheming and deceitful M. Pelet
and the preposterous M. Paul, Lucy Snowe's lover, that this lover was
the husband of Madame Heger, and father of the family of children to
whom Lucy was at first _bonne d'enfants_, and that possibly the daughter
she has described as the thieving, vicious Desiree--"that tadpole,
Desiree Beck"--was this very lady now so politely entertaining us. To
all this add the significant fact that "Villette" is an autobiographical
novel, which "records the most vivid passages in Miss Bronte's own sad
heart's history," not a few of the incidents being "literal transcripts"
from the darkest chapter of her own life, and the light which the
consideration of this fact throws upon her relations with members of the
family will help us to apprehend the stand-point from which the Hegers
judge Miss Bronte and her work, and to excuse, if not to justify, a
natural resentment against one who has presented them in a decidedly bad
light.
Public-domain text, read in full here on John Shaqi.
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