Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
As somebody said of us that summer, we were a "cosmopolitan mess," a
hotch-potch of nationalities, such as is always found in so general a
rendezvous as Italy. We were rather less of a hotch-potch, however, than
in London, but somehow it seemed to us that our peculiarities were more
salient than they could ever appear in proper and conventional
Bloomsbury. We were largely German, as the travelling population of
Italy is. In Bloomsbury our medium of expression was the English
language, and English was the language at table, no matter how foreign
our company. But in this Italian _pensione_, where the faces were
continually changing, the languages changed as often. One day only
English was the rule, and those who could not unite with the majority
remained mute. Another day, with a tremendous incursion of Teutons, who
always seem to travel in hordes, only German gutturals held the table,
and we who had no facility with them muttered meek French or sullen
English to our neighbors. The next day French would be the rule, and
Teuton must mumble in it and Anglo-Saxon stammer or hold its peace.
Curiously enough, although we were in Italy, Italian was rarely, almost
never, spoken among us, our only use of it being in orders to the
servants. Our landlady was English, with an Italian husband, but they
both held only upper menial places in the establishment, and never
dreamed of sitting at table with us or of meeting us upon any terms of
equality. This want of familiarity with Italian proves how little mere
travellers and haunters of _pensioni_ ever know of the middle-class
inhabitants of the country. The Italians themselves stir from home very
seldom; they almost never admit foreigners into their own houses, and
when forced abroad seek cheap Italian inns rather than the innumerable
boarding-houses infested by the outer barbarian. Italian peasant life is
open to all foreigners, but not that of the middle classes.
Our landlord had a daughter whose cheek was pale and whose garments hung
loosely upon her. When first we remarked this and her heavy eye,
everybody laughed.
"The usual story,--loves and rides away," was remarked in various
languages.
It was heartless to laugh, but we could not help it. For wan and
drooping landlords' daughters had become so familiar to us in Italian
_pensioni_ that we needed only to glance at the set of each one's gown
and the tint of her cheek to know if HE were still present and wooing or
had faithlessly ridden away. The race, however, was not always to the
rider.
Public-domain text, read in full here on John Shaqi.
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