Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The interior of the shed when shearing is at its height commends itself
very forcibly to the attention of the artist. The heaps of fleeces,
mellow masses of gray, yellow, and white, the throng of anxious sheep,
watching with painful interest their companions struggling in the
swarthy arms of the stalwart, bare-chested shearers, saddles, broad
sombreros, whips, and weapons grouped in so many pendent escutcheons of
the great Mexican vagabond family, the flitting _coleritos_, the scarfed
shearers themselves, all are so many veritable "bits." But it is not
only that the details are good: they compose admirably about the long
aisle, with here and there a dagger of sharp light thrust into the
shade, and without, the luminous clouds of dust. The shearer puts one
foot on the low table, the neck of the sheep resting over his knee, and
its fleece rolling off like a robe; his broad chest is thrown out, his
head back, his nostrils vent smoke like an angry god's, and his glancing
white teeth, disclosed in a broad smile, tightly grip a cigarette. He is
chattering, laughing, smoking: incidentally he is shearing.
The presence of the shearers at the ranch causes a flutter in
surrounding Mexican society. They are known to be keen hands, _viveurs_,
jolly good fellows withal, and, moreover, men who can wrestle with
wethers ten hours a day (no light task on the muscles) and yet have
spirit to dance and play all night. So, at evening, the _jacals_--the
little farms and settlements on the creek--are likely to send forth a
contingent bound for the cook-house and a night of it. A harp and an
accordion are found, and to the sharply-marked music produced by this
combination an impromptu _baile_ forms itself. The swarthy sombreros
clutch each other, and hop about, their spurs gleaming and jangling,
their pistols sticking out behind like incipient tails; and soon the
_baile_ overflows the kitchen, and the glowing cigarette-tips circle
like fire-flies to the music in the dark night-air without. In a corner,
against the salt-house, by the light of a fire, a group is gathered
round a blanket spread on the ground, with little piles of silver before
them, over the always-absorbing _monte_; and other groups are very
harmlessly singing. By midnight the music dies away and the dancing
ceases, but the sombreros bend over the _monte_ blanket and the silver
clinks on it till morning.
Public-domain text, read in full here on John Shaqi.
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