The great hall of the Middle Temple is one of the finest Elizabethan structures in the metropolis. It was commenced in 1562, when the old hall was converted into chambers, consumed a decade in building, and is of grand proportions. It is a hundred feet long, and the massive beauty of the glossy oaken roof, almost black with age, is alone worth an Atlantic voyage to see. The walls and windows are decorated with the arms of various members of the Inn, and the paintings are numerous and of great historical interest. Over the dais is a portrait of Charles I. on horse-back, by Vandyke, one of the three original paintings of the unhappy monarch by that great master. Another of the trio is at Windsor, while the third adorns Warwick Castle. There are also copies of portraits of Charles II., James II., William III., Queen Anne, and George II., and marble busts, by Behnes, of "Doubting" Lord Eldon and Lord Stowell, the great Admiralty judge. The screen and the music-gallery are marvels of the wood-carver's art. Tradition says the screen was made of oak from the timbers of the wrecked Invincible Armada; but this cannot be, inasmuch as it was set up a dozen years before the doomed squadron sailed out of Lisbon harbor. The Middle Temple Library, a handsome building of recent erection, situated on the river side of the Inn, at the southwest corner of the Temple Gardens, was opened by the Prince of Wales, October 31, 1861. While it is of nobler proportions than the library of the Inner Temple, it does not seem to be so well suited for the purposes of the student. Its location, however, is far more pleasant, on the margin of the flower-mantled garden, and within sight of the busy Victoria Embankment and of the panoramic river scenery. From the great oriel window a noble vista is unrolled. In the distance, the twin-towered Houses of Parliament are outlined against the sky, while the massive proportions of the "water front" of Somerset House, the motley groupings of the structures that crowd the intervening water-side, and the flashing river hound by many-arched bridges, fill the middle distance. Aside from the lustre shed around its history by many eminent lawyers and jurists, the Middle Temple has numbered among its students several great poets and dramatists, notably John Ford, William Congreve, Nicholas Rowe, Thomas Shadwell, Richard Brinsley Sheridan, and Thomas Moore. But, as their literary remains prove, few or none of them prosecuted their legal studies with that sedulous devotion which the law, proverbially a jealous mistress, demands. Sir William Blackstone, who immortalized his name by his "Commentaries on the Laws of England," was educated in the Middle Temple, where he was entered as a student, November 20, 1741, and by which he was called to the bar, April 26, 1750. In his Temple chambers, ere he finally consecrated his massive intellect to the legal profession, Blackstone wrote the famous "Farewell to the Muses:"